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White often represents purity or innocence in Western culture, [2] particularly as white clothing or objects, can be stained easily. In most Western countries white is the color worn by brides at weddings. Angels are typically depicted as clothed in white robes. In many Hollywood Westerns, bad cowboys wear black hats while the good ones wear white.
The Fatimids used a green standard, as well as white. The Saudi Emirate of Diriyah used a white and green flag with the shahadah emblazoned on it. Various countries in the Persian Gulf have red flags, as red represents nationalism. The four Pan-Arab colours, white, black, green and red, dominate the flags of Arab states. [2] [3]
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
In England in 1976 a system for deans, archdeacons and canons was authorized by the College of Arms, allowing a black ecclesiastical hat, black or violet cords, and three violet or red tassels on each side. [32] [33] [9] A priest uses a black and white cord with a single tassel on each side, and a deacon a hat without tassels.
Black hymnody: a hymnological history of the African-American church (1992) Wills, David W. and Richard Newman, eds. Black Apostles at Home and Abroad: Afro-Americans and the Christian Mission from the Revolution to Reconstruction (1982) Woodson, Carter G. (2009) [1928]. African Myths and Folk Tales. Mineola, NY: Dover Publ. ISBN 978-0486114286.
The Coexist image created by Piotr Młodożeniec. The Coexist image (often styled as "CoeXisT" or "COEXIST") is an image created by Polish, Warsaw-based graphic designer Piotr Młodożeniec [] in 2000 as an entry in an international art competition sponsored by the Museum on the Seam for Dialogue, Understanding and Coexistence.
The brilliant white of Christ's robes, the golden-yellow of his halo, and the bright blue of the sky behind him all serve to emphasize the ethereal nature of the event. Similarly, Byzantine art favored a flattened, hieratic style of perspective that emphasized the spiritual significance of the figures depicted.
As in other religious subjects, after Tiepolo and his Spanish imitators, the momentum in producing religious art was lost. [25] However, the depiction of the Resurrection continues to be a major theme in Christian churches, e.g. as in the 19th-century Rosary Basilica in Lourdes, France.