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The "branded slave" photograph of Chinn with "VBM" (the initials of his owner, Volsey B. Marmillion) branded on his forehead, wearing a punishment collar, and posing with other equipment used to punish slaves became one of the most widely circulated photos of the abolitionist movement during the American Civil War and remains one of the most ...
The Library Company of Philadelphia, a private lending library founded by Benjamin Franklin in the mid-18th century, commissioned Jennings (an ex-Philadelphian relocated to London) to create a work depicting "the figure of Liberty (with her cap and proper Insignia) displaying the arts" as a representation of slavery and a symbol of the abolitionist movement.
For sale: 51 head of slaves, 12 yoke of draught oxen, 32 horses or mules; 5 head of slaves, 2 yoke of draught oxen; 11 head of slaves, 4 yoke of oxen—in early America, slaves were treated legally and socially as if they were farm animals (Louisiana State Gazette, New Orleans, November 1, 1819)
White slave propaganda was a kind of publicity, especially photograph and woodcuts, and also novels, articles, and popular lectures, about slaves who were biracial or white in appearance. [1] Their examples were used during and prior to the American Civil War to further the abolitionist cause and to raise money for the education of former slaves.
The Old Plantation is an American folk art watercolor probably painted in the late 18th century on a South Carolina plantation. [3] [4] [5] It is notable for its early date, its credible, non-stereotypical depiction of slaves on the North American mainland, and the fact that the slaves are shown pursuing their own interests.
Florida Supreme Court justices addressed the weighty issue of whether slaves had free will, and were people who could determine their own fate. Cruelty of slavery shown in this 1853 Florida high ...
Pages in category "Slavery in art" The following 29 pages are in this category, out of 29 total. This list may not reflect recent changes. ...
Slave labor was not free of the perils of war, and Confederates occasionally wrote about slave laborers facing enemy shelling. [59] While slave-owners expected compensation when slaves died in the service of the Confederate Army, most Confederates did not own slaves and preferred a dead black worker than a dead white one.