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Vox humana pipes. The vox humana (Latin for "human voice"; also "voz humana" in Spanish and Portuguese, "voix humaine" in French and "voce umana" in Italian, although "voce umana" is also a term for a celeste stop, q.v.) is a short-resonator reed stop on the pipe organ, so named because of its supposed resemblance to the human voice. [1]
Vox Angelica (Latin) Voix Angelique (French) String A soft organ flue stop tuned slightly flat. Vox Humana (Latin) Voix Humaine (French) Voz Humana (Spanish) Voz Humane (Spanish) Reed: Fractional-length Regal supposedly intended to imitate the human voice (hence the name). Waldflöte (German) Wald Flute (German/English)
Vox humana (Latin, 'human voice') is a reed stop on the pipe organ. Vox humana may also refer to: 1974 cantata by Allan Pettersson; Vox Humana (Alfred Wolfsohn album ...
There are several legends about the organ, of which the "Vox Humana" saga is probably the most famous: Gabler had worked for years to imitate the human voice. But despite all efforts failed in all his attempts. He worked on various types of wood and metal mixtures, but without the desired success.
The best known of the presets on the Polymoog Keyboard is "Vox Humana", which was not present on the original Polymoog. This preset forms the basis of the electronic string sound in the work of Gary Numan. [7] [8]
Jeanne d'Arc et les voix celestes by Diogene Maillart. The Voix celeste (French: Voix céleste, lit. 'heavenly voice') is an organ stop consisting of either one or two ranks of pipes slightly out of tune.
In telecommunications, a voice operated switch, also known as VOX or voice-operated exchange, is a switch that operates when sound over a certain threshold is detected. [1] It is usually used to turn on a transmitter or recorder when someone speaks and turn it off when they stop speaking.
In England and France, the word "regal" was sometimes applied to reed stops on the organ; Mersenne (1636) states that the word was applied at that time to the vox humana stop. [2] According to Praetorius, the reed stops of pipe organs required constant tuning; he emphasized the fact that the pitch of the stop fell in summer and rose in winter.