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This adaptation, known as countershading, helps the bird blend in and avoid drawing attention to itself. Male ruby-crowned kinglets, for example, can flash a scarlet-red crown when excited or keep ...
Bird (mathematical artwork) Bird in Hand (painting) Bird in Space; Bird on Money; Bird stone; Bird-and-flower painting; Birds in Meitei culture; The Birds of America; The Birds (painting) Black Stork in a Landscape; The Blind Girl; The Blue Bird (Metzinger) Bouquet près de la fenêtre; The Boyhood of Raleigh; Bushel with ibex motifs
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Build-A-Bird was designed and developed by Ergonomics Lab, University of Toronto.Gameplay revolved around creating a bird by choosing from a selection of different body parts such as stork-like legs, short legs adapted to alighting on various natural surfaces, or predatory talons.
The speculum is a patch, often distinctly coloured, on the secondary wing feathers, or remiges, of some birds. Examples of the colour(s) of the speculum in a number of ducks are: Common teal and green-winged teal: Iridescent green edged with buff. [1] Blue-winged teal: Iridescent green. [2] The species' common name comes from the sky-blue wing ...
Pixel art [note 1] is a form of digital art drawn with graphical software where images are built using pixels as the only building block. [2] It is widely associated with the low-resolution graphics from 8-bit and 16-bit era computers, arcade machines and video game consoles, in addition to other limited systems such as LED displays and graphing calculators, which have a limited number of ...
The male painted bunting is often described as the most beautiful bird in North America and as such has been nicknamed nonpareil, or "without equal". [6] Its colors, dark blue head, green back, red rump, and underparts, make it extremely easy to identify, but it can still be difficult to spot since it often skulks in foliage even when it is ...
Artists may choose to "correct" perspective distortions, for example by drawing all spheres as perfect circles, or by drawing figures as if centered on the direction of view. In practice, unless the viewer observes the image from an extreme angle, like standing far to the side of a painting, the perspective normally looks more or less correct.