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Draper, James David. "Donatello (ca. 1386–1466)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000. (October 2002) "The Early Renaissance: 1400–1494." Web. 28 February 2010. Archived 4 March 2016 at the Wayback Machine; Kleiner, Fred S. Gardner's Art Through the Ages A Global History, Volume II. Belmont ...
The Sala di Donatello of the Bargello in Florence, the museum with the largest and best collection of Donatello's work. The following catalog of works by the Florentine sculptor Donatello (born around 1386 in Florence; died on December 13, 1466, in Florence) is based on the monographs by H. W. Janson (1957), Ronald Lightbown (1980), and John Pope-Hennessy (1996), as well as the catalogs of the ...
Brunelleschi subsequently became a highly important architect, while Donatello began his career in sculpture. Donatello is recorded as working as an apprentice, and for the last few months on a salary, in the studio of Lorenzo Ghiberti in 1404–1407, [28] apparently working on the workshop's main project, the bronze doors of the Florence ...
Sculptures by Donatello (c.1380s−1466) — the Italian Renaissance sculptor, based in the Republic of Florence. Pages in category "Sculptures by Donatello" The following 36 pages are in this category, out of 36 total.
David is a bronze statue of the biblical hero by the Italian Early Renaissance sculptor Donatello, probably made in the 1440s. Nude except for helmet and boots, it is famous as the first unsupported standing work of bronze cast during the Renaissance , and the first freestanding nude male sculpture made since antiquity.
David is a marble statue of the biblical hero by the Italian Renaissance sculptor Donatello.One of his early works (1408–1409), it was originally commissioned by the Operai del Duomo, the Overseers of the Office of Works, for the Florence Cathedral and was his most important commission up to that point.
Brooklynites are gawking at one of the borough’s newest residents: an 18-foot-tall metal sculpture of the 1980s comic-book character “Rappin’ Max Robot.”
Zuccone is reported to have been Donatello's favorite, and he has been claimed to swear by the sculpture, "By the faith I place in my zuccone." [2] [4] Donatello is said to have shouted "speak, damn you, speak!" at the marble as he was carving it. [2] [5] It has been described as the most important marble sculpture of the fifteenth century. [5]