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After a few years of this sort of use, designers such as Robert J. Lang, Meguro Toshiyuki, Jun Maekawa and Peter Engel began to design using crease patterns. This allowed them to create with increasing levels of complexity, and the art of origami reached unprecedented levels of realism. Now most higher-level models are accompanied by crease ...
"Frog pond plop (Opening 6)", a concrete poem by Sylvester Houédard translating the most famous haiku of Matsuo Bashō, was formatted as a paper fortune teller (with pictorial instructions) by Edward Wright, Nazli Zaki, and Matilda Cheung, and published in a numbered edition in 1965 by Houédard's Openings Press. The outside and two inside ...
Origami tessellation is a branch that has grown in popularity after 2000. A tessellation is a collection of figures filling a plane with no gaps or overlaps. In origami tessellations, pleats are used to connect molecules such as twist folds together in a repeating fashion.
Origami paper and a traditional origami crane. Origami paper is the paper used for origami, the art of Japanese paper folding.The only real requirement of the folding medium is that it must be able to hold a crease, but should ideally also be thinner than regular paper for convenience when multiple folds over the same small paper area are required (e.g. such as would be the case if creating an ...
Modular origami or unit origami is a multi-stage paper folding technique in which several, or sometimes many, sheets of paper are first folded into individual modules or units and then assembled into an integrated flat shape or three-dimensional structure, usually by inserting flaps into pockets created by the folding process. [3]
Akira Yoshizawa (吉澤 章, Yoshizawa Akira, 14 March 1911 – 14 March 2005) was a Japanese origamist, considered to be the grandmaster of origami.He is credited with raising origami from a craft to a living art.
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