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In phase E, corresponding to the Uruk III period (c. 3200–3000 BC), the White Temple was built. The White Temple could be seen from a great distance across the plain of Sumer, as it was elevated 21 m and covered in gypsum plaster which reflected sunlight like a mirror.
Uruk temple architecture followed the building plans of the previous Ubaid culture. Structures were made on tripartite plans with a central hall and smaller rooms on either side. [ 25 ] : 425 One of the most famous examples of Uruk temples is the White Temple, named after the white gypsum plaster that covered it.
It is dominated by a series of temples built on a high terrace after the Ubayd period. The best-preserved of these is the "White Temple" of level IV, which measures 17.5 x 22.3 m and gets its name from white plates that covered its walls. At its base, a building with a labyrinthine plan, called the 'Stone building', was built. [23]
An example of a simple ziggurat is the White Temple of Uruk, in ancient Sumer. The ziggurat itself is the base on which the White Temple is set. Its purpose is to get the temple closer to the heavens, [citation needed] and provide access from the ground to it via steps. The Mesopotamians believed that these pyramid temples connected heaven and ...
It is often assumed that the so-called "White Temple," which dates back to the Uruk IV period (3500–3100 BCE) was his original cult center, and it is even sometimes referred to as the "Anu ziggurat" in modern literature. [150] However, there is no evidence that Anu was actually worshipped in this structure. [52]
The high temple was a special type of temple that was home to the patron god of the city. Functionally, it served as a storage and distribution centre as well as housing the priesthood. The White Temple of Anu in Uruk is typical of a high temple which was built very high
The most prominent discovery at Tell Uquair was the "Painted Temple", a large complex similar in design to the "White Temple" found at Uruk, with alternating buttresses and recesses. The temple was laid directly on the bitumen coated platform and was eventually fully cleaned and filled with mudbricks before a later temple. [12]
The ziggurat was a piece in a temple complex that served as an administrative center for the city, and which was a shrine of the moon god Nanna, the patron deity of Ur. [ 6 ] The construction of the ziggurat was finished in the 21st century BC by King Shulgi , who, in order to win the allegiance of cities, proclaimed himself a god.