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The neglect of aesthetic theory to consider the role of sensibility in everyday life was first pointed out by Katya Mandoki who in 1994 coined the word Prosaics [4] (drawing a distinction from Aristotle’s Poetics [5] focused on art) to denote a sub-discipline that would specifically inquire the aesthetics involved in daily activities emphasizing the styles and forms of expression in face-to ...
Japanese aesthetics comprise a set of ancient ideals that include wabi (transient and stark beauty), sabi (the beauty of natural patina and aging), and yūgen (profound grace and subtlety). [1] These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful .
The term chashitsu came into use after the start of the Edo period (c. 1600).In earlier times, various terms were used for spaces used for tea ceremony, such as chanoyu zashiki (茶湯座敷, "sitting room for chanoyu"), sukiya (place for poetically inclined aesthetic pursuits [fūryū, 風流]) such as chanoyu), and kakoi (囲, "partitioned-off space"). [4]
Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of aesthetics is the "critical reflection on art, culture and nature". [3] [4] Aesthetics studies natural and artificial sources of experiences and how people form a judgment about those sources of experience.
Frutiger Aero visuals in user interface design (KDE Plasma 4 from 2011)Frutiger Aero (/ f r uː t ɪ ɡ ə r ɛ ə r ə ʊ /), sometimes known as Web 2.0 Gloss, [1] is a retrospective name applied to a design trend observed mainly in user interfaces and Internet aesthetics from the mid-2000s to the early 2010s. [2]
Technical Aesthetics (Техническая эстетика in Russian) was a Soviet monthly magazine published between January 1964 and July 1992 dedicated to questions of design with peak distribution of 30,000 copies. [1] It was edited by the VNIITE, the All-Union Technical Aesthetics Research Institute. [2]
During the 1940s, Popsicle Pete ads were created by Woody Gelman and his partner Ben Solomon, and appeared on Popsicle brand packages for decades. [ 14 ] The mascot was then introduced in Canada in 1988 and featured in television commercials, [ 15 ] promotions, [ 16 ] and print advertisements [ 17 ] until 1996.