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Oiseaux exotiques (Exotic birds) is a piece for piano and small orchestra by Olivier Messiaen. It was written between 5 October 1953 and 3 January 1956 and was commissioned by Pierre Boulez . It is dedicated to the pianist Yvonne Loriod , who later became the composer's wife.
"In the older music the sign for the fermata is used, as frequently by Bach, merely as indicating the end of the piece, after a Da Capo, when modern composers usually write the word 'fine.' It does not then imply any pause in the music between the first and second part of the number."
In music, birdsong has influenced composers and musicians in several ways: they can be inspired by birdsong; they can intentionally imitate bird song in a composition, as Vivaldi and Beethoven did, along with many later composers, such as Messiaen; they can incorporate recordings of birds into their works, as Ottorino Respighi first did; or ...
Celtic music is a broad grouping of music genres that evolved out of the folk music traditions of the Celtic people of Northwestern Europe (the modern Celtic nations). [ 1 ] [ 2 ] It refers to both orally-transmitted traditional music and recorded music and the styles vary considerably to include everything from traditional music to a wide ...
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Musicologists such as Matthew Head and Suzannah Clark believe that birdsong has had a large though admittedly unquantifiable influence on the development of music. [2] [3] Birdsong has influenced composers in several ways: they can be inspired by birdsong; [4] they can intentionally imitate bird song in a composition; [4] they can incorporate recordings of birds into their works; [5] or they ...
Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.
Darren Hayman - bass guitar, piano, electric guitar, Wurlitzer piano, fake strings, backing vocals; Antony Harding - acoustic guitars, electric guitar, drums, conga drums, percussion, vocals, bass, harmonica, mandolin, piano; James Milne - bass guitar (01) (05) Jack Hayter - pedal steel, viola (09) Suzanne Rhatigan - Wurlitzer piano, backing ...