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The True Vine (Greek: ἡ ἄμπελος ἡ ἀληθινή hē ampelos hē alēthinē) is an allegory or parable given by Jesus in the New Testament. Found in John 15:1–17 , it describes Jesus' disciples as branches of himself, who is described as the "true vine", and God the Father the "husbandman".
Christ the Vine is associated with the parable or allegory of the True Vine. It is referenced heavily in John 15:1–17. Jesus refers to his followers as branches of himself. The work is a pictorial representation of the parable of the True Vine. The theme was copied by countless painters. Angelo’s paintings were the earliest versions.
The True Vine theme is also part of the New Testament. It is a parable or allegory found in John 15:1–17. It describes Jesus's disciples as branches of himself. The Moskos version Christ the Vine is an identical copy of a painting in the Byzantine and Christian Museum identified by historians as a mid-16th-century icon created by an unknown ...
A vine (from Latin vīnea 'grapevine, vineyard'; from vīnum 'wine') is any plant with a growth habit of trailing or scandent (that is, climbing) stems, lianas, or runners. The word vine can also refer to such stems or runners themselves, for instance, when used in wicker work.
Pictorial representations of the Jesse Tree show a symbolic tree or vine with spreading branches to represent the genealogy in accordance with Isaiah's prophecy. The 12th-century monk Hervaeus expressed the medieval understanding of the image, based on the Vulgate text: "The patriarch Jesse belonged to the royal family, that is why the root of Jesse signifies the lineage of kings.
Christ the Vine was a popular theme among Cretan painters. Angelos Akatontos covered the theme during the early Cretan Renaissance in the 15th century. Angelo's Christ the Vine is located at the Monastery of the Virgin Hodegetria, Heraklion, Crete. Earlier versions of the theme during the Byzantine empire can be linked to the Tree of Jesse.
Vine training system used in the Jerez region of Spain for Sherry wine grapes. This involves pruning the vine to two branches with one short "thumb" branch that only has a couple buds and one long "stick" branch with around 8 buds that alternate each year between which side is the "thumb" and which is the "stick".
Above these three figures is a dedicatory inscription, part of which is lost, with the commissioners' and the painter's names and the date along with the relevant passage from John 15.5 ("I am the Vine, you are the branches") in Latin in gilded letters. That New Testament text is central to the iconography of the whole chapel, linking the Roman ...