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When using justification, it is customary to treat the last line of a paragraph separately by simply left or right aligning it, depending on the language direction. Lines in which the spaces have been stretched beyond their normal width are called loose lines , while those whose spaces have been compressed are called tight lines .
A paragraph (from Ancient Greek παράγραφος (parágraphos) 'to write beside') is a self-contained unit of discourse in writing dealing with a particular point or idea. Though not required by the orthographic conventions of any language with a writing system , paragraphs are a conventional means of organizing extended segments of prose .
In the case of a two-paragraph extended lede, the nut graph follows those two, as needed; hence, the nut graph is generally the second or third paragraph following a journalistic lede. [2]: 262 In many news stories, the essential facts of a story are included in the lede, a story's opening paragraph of 2-3 sentences.
In academic writing, it is sometimes [citation needed] used as an in-text referencing tool to make reference to a specific paragraph from a document that does not contain page numbers, allowing the reader to find where that particular idea or statistic was sourced. The pilcrow sign followed by a number indicates the paragraph number from the ...
In expository writing, a topic sentence is a sentence that summarizes the main idea of a paragraph. [1] [2] It is usually the first sentence in a paragraph. Also known as a focus sentence, a topic sentence encapsulates or organizes an entire paragraph. Although topic sentences may appear anywhere in a paragraph, in academic essays they often ...
Bidirectional script support is the capability of a computer system to correctly display bidirectional text. The term is often shortened to "BiDi" or "bidi".Early computer installations were designed only to support a single writing system, typically for left-to-right scripts based on the Latin alphabet only.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Two types of scenes are of special interest: the reversal, which throws the action in a new direction, and the recognition, meaning the protagonist has an important revelation. [13] Reversals should happen as a necessary and probable cause of what happened before, which implies that turning points need to be properly set up. [13]