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There is extensive literature, but no consensus on the question which of the two quantity maxims is in operation in which circumstances; i.e. why "I lost a book yesterday" implicates that the book was the speaker's, while "I slept on a boat yesterday" usually implicates that the boat wasn't the speaker's.
In pragmatics, scalar implicature, or quantity implicature, [1] is an implicature that attributes an implicit meaning beyond the explicit or literal meaning of an utterance, and which suggests that the utterer had a reason for not using a more informative or stronger term on the same scale.
Implicature, what is suggested in an utterance, even though neither expressed nor strictly implied; Implicational universal or linguistic universal, a pattern that occurs systematically across natural languages
Herbert Paul Grice (13 March 1913 – 28 August 1988), [1] usually publishing under the name H. P. Grice, H. Paul Grice, or Paul Grice, was a British philosopher of language who created the theory of implicature and the cooperative principle (with its namesake Gricean maxims), which became foundational concepts in the linguistic field of pragmatics.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
Bohm emphasized the primary role of the implicate order's structure: [10] My attitude is that the mathematics of the quantum theory deals primarily with the structure of the implicate pre-space and with how an explicate order of space and time emerges from it, rather than with movements of physical entities, such as particles and fields. (This ...
The original “Mean Girls” had a lot of iconic lines — and the remake knows it. Most people will recall that Gretchen tries to make “fetch” happen in the first movie.
German Romanticism, which followed closely after the late development of German classicism, emphasized an understanding and beauty of fragmentation that can appear startlingly modern to the reader of English literature, and valued Witz – that is, "wit" or "humor" of a certain sort – more highly than the serious Anglophone Romanticism.