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Art Institute of Chicago, Chicago Ciphers and Constellations in Love with a Woman ( Catalan : Xifrats i constellacions, en l'amor amb una dona ) is a painting by Joan Miró created in 1941. The medium is gouache, watercolor, and graphite on paper, and the work's dimensions are 46 cm × 38 cm (18 in × 15 in).
Joan Miró works at the National Gallery of Art; Joan Miró at the Museum of Modern Art; Olga's Gallery: Joan Miró; Artcyclopedia Directory of online works; Joan Miró in American public collections, on the French Sculpture Census website ; Algorithmic emulation of the most basic aspects of the works of Joan Miró using random numbers and ...
Print/export Download as PDF; ... Media in category "Paintings by Joan Miró" ... Miro Still Life with Old Shoe.jpg 378 × 264; 25 KB.
Today only the location of two of these series is known. One set is in the Joan Miró Foundation and a second set is owned by the descendants of Joan Prats . [ 4 ] Because of the censorship in Spain under General Franco following the civil war, it was impossible to exhibit these pictures.
The Constellations are a series of 23 paintings on paper produced from January 1940 to September 1941 by the Spanish surrealist Joan Miró.Art historians and museum curators have said of the paintings: "Universally considered one of the greatest achievements of his career", [1]: 1 p.
This picture was painted in Mont-roig del Camp in 1935 and was in the possession of Pilar Juncosa Miró, [6] but is now in the permanent collection of the Fundació Joan Miró in Barcelona. Pilar Juncosa had been Miró's wife since 1929 and she was a supporter of his Foundation.
The objects chosen by Miro are deliberately poor and humble, tied to ordinary people's life: an old shoe, a little of food, some things found in any kitchen. They stand as a tragic symbol. Its huge size become a threat, [ 7 ] reinforced by the contrast of colours and the ghostly light, which sometimes seem to emanate from the objects. [ 8 ]
The Harlequin's Carnival (Spanish: Carnaval de Arlequín) is an oil painting painted by Joan Miró between 1924 and 1925. It is one of the most outstanding surrealist paintings of the artist, and it is preserved in the Albright–Knox Art Gallery in Buffalo, New York.