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Chutney music exploded, again, after 1968, with the singer Dropati releasing her album Let's Sing & Dance, made-up of traditional wedding songs. The record became a huge hit within the Indo-Caribbean community, gaining exposure for chutney music as a legitimate form of music, and uniting Indians, regardless of their birthplace.
A significant example of this is the song "Sundar Popo", by Black Stalin. This song, whose whimsical lyrics concern a veteran Indian singer, won Black Stalin the coveted Calypso Monarch Prize in February 1995. Although it was neither in chutney style nor in Hindustani, "Sundar Popo" was labelled chutney soca because of its theme. [3]
The song revolutionized Indo-Caribbean music in Trinidad and Tobago. After the success of Nani and Nana, Popo devoted more of his time to his singing career. He followed Nani and Nana with an album combining local Trinidadian music with traditional Indian folk music. In total, he recorded more than 15 albums. He is best known for his song ...
The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte.
In the late 1980s, inspired by Sundar Popo and the increasing popularity of chutney, he decided to pursue a career in music, and he relocated to New York. [1] [4] After initially working as part of local bands, he launched a solo career in 1990, releasing the album Soca Lambada, which brought him immediate success. [1]
Soca is a form of dance music which originated from many calypso music in Trinidad and Tobago.It originally combined the melodic lilting sound of calypso with insistent percussion (which is often electronic in recent music) and local chutney music.
Parang is a popular folk music originating from Venezuela and Trinidad and Tobago that was brought to Trinidad and Tobago by Venezuelan migrants who were primarily of Amerindian, Spanish, Mestizo, Pardo, and African heritage, something which is strongly reflected in the music itself.
The term Chutney that is now being used to refer to Indo-Caribbean music did not come into popular use until after 1987 when many Indo-Trinis started to abbreviate the term "Chutney soca" to "Chutney" in reference to those Chutney soca songs that were sung only in the Hindi language. [29]