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He is best known for his popular character El Cabo of series as El cartel, El Señor de los Cielos. [2] He is also a teacher of Dramatic Art of the National School of Dramatic Art, graduated from the University of Antioquia .
The film is based on the story of Robin Ramirez, Amiko (Amy) Fountain, and Marilyn Johnson who were arrested by the Phoenix Police in 2012. The police found more than $25 million of fake coupons in Ramirez's house and seized more than $2 million worth of assets including 22 firearms, 21 vehicles, and a 40-foot boat.
Bato has caused controversy for being released at the time dela Rosa was a candidate for the 2019 Philippine Senate election.The Commission on Elections has warned that dela Rosa could be disqualified if the film is still being aired in Philippine cinemas on February 12, 2019 or the official start of the campaign period for national candidates.
2+2 (Spanish: Dos más dos) is a 2012 Argentine comedy-drama film directed by Diego Kaplan and starring Adrián Suar, Carla Peterson, Julieta Díaz and Juan Minujín. [2] The plot revolves around two successful friendly couples: Diego and Emilia, and Betina and Richard.
Robin Robin is a 2021 stop-motion animated musical short film produced by Aardman Animations, created and directed by Dan Ojari and Mikey Please, and written by Ojari, Please, and Sam Morrison. Premise
Cherish is a 2002 American comedy-drama film written and directed by Finn Taylor.It premiered at the Sundance Film Festival on January 14, 2002 and had a limited theatrical release June 7 of that same year.
El camino de Xico (released internationally as Xico's Journey) is a 2020 Mexican 2D animated dark fantasy action adventure film by Eric D. Cabello Diaz in his directorial debut. The film features a wide ensemble voice cast of various Mexican actors led by Pablo Gama Iturrarán, Verónica Alva, and Luis Angel Jaramillo .
Josu Eguren of El Correo gave the film 2 out of 3 stars. [22] He considered the film to be "stimulating reflection on the gap between memory and nostalgia" so pervasive in the Spanish contemporary historical discourse but ultimately dominated by "cheating digressive monologues transformed into images".