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An 1880 Baxter process illustration of Revelation 22:17 by Joseph Martin Kronheim. The bride of Christ, or the lamb's wife, [1] is a metaphor used in number of related verses in the Christian Bible, specifically the New Testament – in the Gospels, the Book of Revelation, the Epistles, with related verses in the Old Testament.
Along with most early Christian interpreters of this parable, [6] some today continue to understand it as an allegory, whereby Jesus Christ is the bridegroom, [2] [5] echoing the Old Testament image of God as the bridegroom in Jeremiah 2:2 and similar passages, [2] and the virgins are the Christians. [7] The awaited event is the Second Coming ...
Jerome: " Christ is the Bridegroom and the Church the Bride. Of this spiritual union the Apostles were born; they cannot mourn so long as they see the Bridegroom in the chamber with the Bride. But when the nuptials are past, and the time of passion and resurrection is come, then shall the children of the Bridegroom fast.
Christian theology sometimes refers to Jesus using the title Redeemer or Saviour. This refererences the salvation he accomplished, and is based on the metaphor of redemption , or "buying back". In the New Testament , redemption can refer both to deliverance from sin and to freedom from captivity.
Saint Julian the Hospitaller with Christ the Redeemer is a fresco by Andrea del Castagno in the Feroni Chapel of Santissima Annunziata, Florence. [1] Usually hidden behind an altarpiece by Carlo Loth since 1692, it was painted in 1451 on the construction of the church's five chapels.
Notably, the Christ the Redeemer monument, the biggest representation of Jesus in the world, is more than 2,000 feet above Rio. “Photography for me is just a hobby. I love to spend my spare time ...
Proponents view the title Co-Redemptrix as not implying that Mary participates as equal part in the redemption of the human race, since Christ is the only redeemer. [11] Mary herself needed redemption and was redeemed by Jesus Christ. Being redeemed by Christ, implies that she cannot be his equal part in the redemption process. [12]
The idea of scherzo, a musical term referring to the lighthearted, playful segment of a symphony, is present in this scene, [14] invoking slight lightness, hope, and promise in anticipation of Christ's future resurrection. The painting is another mirror to the Middle Ages inscriptions on images related to a Christ on the cross or the Passion of ...