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In dance theory, choreographic writing (a form of embodied writing) is done by imagining words as dancing across a page. [5] Others use forms of yoga to more deeply connect the body to the writing. [6] Each of these practices aims to create more awareness of the sensation of the body in space and to think of writing as a physical act.
Uses of figurative language, or figures of speech, can take multiple forms, such as simile, metaphor, hyperbole, and many others. [12] Merriam-Webster's Encyclopedia of Literature says that figurative language can be classified in five categories: resemblance or relationship, emphasis or understatement, figures of sound, verbal games, and errors.
Mirror writing on the hood of an ambulance in Australia. Mirror writing is formed by writing in the direction that is the reverse of the natural way for a given language, such that the result is the mirror image of normal writing: it appears normal when reflected in a mirror. It is sometimes used as an extremely primitive form of cipher.
In the end, the public voted via snail mail for a person who embodied perhaps the exact opposite of both — Miskel Spillman, an elderly widow whose first plane ride ever brought her to New York ...
Vertical axis mirror ambigrams find clever applications in mirror writing (or specular writing), that is formed by writing in the direction that is the reverse of the natural way for a given language, such that the result is the mirror image of normal writing: it appears normal when it is reflected in a mirror. For example, the word "ambulance ...
Don Quixote and his sidekick Sancho Panza, as illustrated by Gustave Doré: the characters' contrasting qualities [1] are reflected here even in their physical appearances. In any narrative, a foil is a character who contrasts with another character, typically, a character who contrasts with the protagonist, in order to better highlight or differentiate certain qualities of the protagonist.
The founder of phenomenology, Edmund Husserl, identified the Other as one of the conceptual bases of intersubjectivity, of the relations among people. In philosophy, the Other is a fundamental concept referring to anyone or anything perceived as distinct or different from oneself.
Jung believed that the anima and the animus manifest themselves by appearing in dreams and influence a person's attitudes and interactions with the opposite sex. A natural understanding of another member of the opposite sex is instilled in individuals that stems from constant subjection to members of the opposite sex.