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The foundation of Christ (1 Corinthians 3:11); posted at the Menno-Hof Amish and Mennonite Museum in Shipshewana, Indiana "In a moment, in the twinkling of an eye, at the last trump: for the trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed." 1 Corinthians 15:52. Illumination from Beatus de Facundus, 1047.
One of the letters sent by Paul the Apostle to one of the early Greek churches, the First Epistle to the Corinthians, contains one of the earliest Christian creeds referring to post-mortem appearances of Jesus, and expressing the belief that he was raised from the dead, namely 1 Corinthians 15:3–8. [21] [22] [23] It is widely accepted that ...
1 Corinthians 2:1 μυστηριον – 𝔓 46, א, Α, C, 88, 436, it a,r, syr p, cop bo μαρτυριον – B D G P Ψ 33 81 104 181 326 330 451 614 629 630 1241 1739 1877 1881 1962 1984 2127 2492 2495 Byz Lect it vg syr h cop sa arm eth ευαγγελιον – Theodoret σωτηριον – 489, ℓ 598 pt, ℓ 599 [6] 1 Corinthians 2:4
1 Corinthians 15 (1 Corinthians 15:23) and Matthew 27 (Matthew 27:52–53), concerning the certainty of bodily resurrection for all who have faith in Jesus. The Bible mentions two prominent figures, Enoch and Elijah , who were taken up to heaven, serving as important precedents for the assumption of Mary.
[75] [76] It takes place in Matthew 4:18–22, Mark 1:16–20 and Luke 5:1–11 on the Sea of Galilee. John 1:35–51 reports the first encounter with two of the disciples a little earlier in the presence of John the Baptist. Particularly in the Gospel of Mark the beginning of the ministry of Jesus and the call of the first disciples are ...
The terrestrial kingdom is the middle of the three degrees of glory. It is believed by LDS Church members to correspond to the "bodies terrestrial" and "glory of the moon" mentioned by the apostle Paul in the King James Version translation of 1 Corinthians 15:40–41. The word "terrestrial" derives from a Latin word meaning "earthly." [33] [19]
Harold Bloom has interpreted Blake's most famous lyric, The Tyger, as a revision of God's rhetorical questions in the Book of Job concerning Behemoth and Leviathan. [12] Blake also depicted the story of Job throughout his career as an artist. The song of Enion in Night the Second of The Four Zoas also demonstrates that Blake identified with Job ...
The theory proposes that a number of passages (1 Corinthians 4:17, 16.10; 2 Corinthians 2:13, 7:6, 13–14, 12:18; and Acts 19.22) refer to the same journey of a single individual, variously called Titus and Timothy. This theory is complicated by various details from the Pauline epistles.