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Preface comes from Latin, meaning either "spoken before" (prae and fatia) [1] [2] or "made before" (prae + factum). While the former source of the word could have preface meaning the same as prologue, the latter strongly implies an introduction written before the body of the book. With this meaning of stated intention, British publishing up to ...
The opposite is a prologue—a piece of writing at the beginning of a work of literature or drama, usually used to open the story and capture interest. [2] Some genres, for example television programs and video games, call the epilogue an "outro" patterned on the use of "intro" for "introduction".
A prologue or prolog (from Greek πρόλογος prólogos, from πρό pró, "before" and λόγος lógos, "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information.
The epigraph may serve as a preface to the work; as a summary; as a counter-example; or as a link from the work to a wider literary canon, [2] with the purpose of either inviting comparison or enlisting a conventional context. [3] A book may have an overall epigraph that is part of the front matter, or one for each chapter.
Information essential to the main text is generally placed in a set of explanatory notes, or perhaps in an introduction, rather than in the foreword or like preface. The pages containing the foreword and preface (and other front matter) are typically not numbered as part of the main work, which usually uses Arabic numerals.
For example, the American Journal of Physics (AJP) specifically advises authors that an introduction “need not summarize”. Instead, the introduction can provide “background and context”, and/or indicate “purpose and importance”, and/or describe the raison d'être for an article (i.e. motivation) in a way that is “informative and ...
Metatheatrical devices may include: direct address to the audience (especially in soliloquies, asides, prologues, and epilogues); expression of an awareness of the presence of the audience (whether they are addressed directly or not); an acknowledgement of the fact that the people performing are actors (and not actually the characters they are ...
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