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Rather than modeling writing as a creative process, the love letter algorithm represents the writing of love letters as formulaic and without creativity. [8] The algorithm has the following structure: Print two words taken from a list of salutations; Do the following 5 times: Choose one of two sentence structures depending on a random value Rand
John Clark's Latin Verse Machine (1830–1843) is probably the first example of mechanised generative literature, [1] [2] while Christopher Strachey's love letter generator (1952) is the first digital example. [3] With the large language models (LLMs) of the 2020s, generative literature is becoming increasingly common.
The 1952 love letter generator that the British computer scientist Christopher Strachey wrote for the Manchester Mark 1 computer is probably the first example of literature that requires a computer to be generated or read. [13] [14] [15] The work generates short love letters, and is an example of combinatory poetry, also called generative ...
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Brent Spiner portrayed the benevolent AI Data in Star Trek: The Next Generation. Optimistic visions of the future of artificial intelligence are possible in science fiction. [12] Benign AI characters include Robbie the Robot, first seen in Forbidden Planet on 1956; Data in Star Trek: The Next Generation from 1987 to 1994; and Pixar's WALL-E in ...
The letter highlights both the positive and negative effects of artificial intelligence. [7] According to Bloomberg Business, Professor Max Tegmark of MIT circulated the letter in order to find common ground between signatories who consider super intelligent AI a significant existential risk, and signatories such as Professor Oren Etzioni, who believe the AI field was being "impugned" by a one ...
Love Letter (stylised as LOVE LETTER) is the fifth studio album released by Ai Otsuka on 17 December 2008. It come in a CD-only format and CD + DVD format. Thirteen songs are included; four from her singles Pocket, Rocket Sneaker / One × Time (both songs as it is a double A-side single) and Kurage, Nagareboshi.
The lower painting is of a stormy sea, a metaphor for tempestuous love. [citation needed] Above it is a landscape painting of a traveler on a sandy road. This may refer to the absence of the man who is writing to the lady. [2] Love Letter remains the only one of Vermeer's works to incorporate a seascape. [3]