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Jazz music emerged in Iran along with the development of western influences into the pop music. One of the pioneers of jazz music in Iran was Alfred Lazaryan, a little-known singer and dancer whose first recorded song made a hit on the Iranian national radio. [4] However, Lazaryan soon gave up singing. [4] Viguen Derderian, a celebrated pop and ...
Iranian folk songs were incorporated into musical compositions that were produced within the parameters of classical Iranian modes, combined with western musical harmonies. [7] Elements deriving from Iran's folk and classical music have been combined and used also in the pop music. [1] Iranian folk music is categorized in various themes, and ...
A "row" in the theory of Iranian music, is the arrangement of songs and melodies. Each of these songs, called a corner. Instrument. "Instrument" in traditional Iranian music, refers to a collection of several melodies (corners) that are in harmony with each other in steps, tunes, and intervals of notes. Song. "Song", here is: A special kind of ...
6 Jazz. 7 Blues. 8 Film composers. ... Download QR code; Print/export Download as PDF; ... Iranian rock; Iranian pop music; Iranian hip hop; References
Naser Cheshmazar (31 December 1950 – 4 May 2018) was an Iranian musician and composer. [1] [2] He was an acknowledged master in classical music, musical theater, blues, folk music, jazz, and popular music. He composed many songs for well-known Iranian singers including Hayedeh, Googoosh, Mahasti, Dariush, Sattar, Ebi, Leila Forouhar.
Iran's western-influenced pop music emerged by the 1950s. [4] Prior to the 1950s, Iran's music industry was dominated by traditional singers. [4] Viguen, known as the "Sultan" of Iranian pop and jazz music, was a pioneer of this revolution.
Iran's Society for National Music was founded by Khaleqi in 1949.. Ali-Naqi Vaziri, one of the most prominent and influential musicians of the late Qajar and early Pahlavi periods, established a private music school in 1924, where he also created a school orchestra composed of his students, formed by a combination of the Iranian instrument of tar and some western instruments.
Morteza Neydavoud was born in Espahan to a Persian Jewish music-loving family, he was 3 when the family moved to Tehran. [1] His musical gift was revealed at childhood. [1] His father Bala Khan, who was a musician himself and played the tonbak, wanted to see his son enroll into a different field, and was thus initially against him becoming a musician. [1]