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Duet for One is a 1986 British drama film adapted from the play, a two-hander by Tom Kempinski, about a world-famous concert violinist named Stephanie Anderson who is suddenly struck with multiple sclerosis. [3] It is set in London, and directed by Andrei Konchalovsky.
Thomas Michael John Kempinski (24 March 1938 – 2 August 2023) was an English playwright and actor [1] best known for his 1980 play Duet for One, which was a major success in London and New York City, and much revived since. Kempinski also wrote the screenplay for the film version of Duet for One. [2]
Jonathan King – "One For You, One For Me" Lindisfarne – "Run for Home" Long Tall Ernie & The Shakers – "Do You Remember?" Nick Lowe – "I Love the Sound of Breaking Glass" Lulu – "Your Love Is Everywhere" Manfred Mann's Earth Band – "Davy's on the Road Again" The Manhattan Transfer – "On a Little Street in Singapore" Mankind ...
Concerto No. 1 for piano & orchestra (1945) Concerto No. 2 for piano & orchestra (1953) Concerto No. 3 for tenor, piano and chamber orchestra (1956) Double Concerto for two pianos & orchestra (1979) Tan Dun. Piano Concerto "The Fire" Sergei Taneyev. Piano Concerto in E-flat (1876; reconstruction) Alexander Tansman. Suite for Two Pianos and ...
Instrumental duet albums (107 P) P. Compositions for piano four-hands (1 C, 29 P) Compositions for two pianos (2 C, 30 P) V. Vocal–instrumental collaborations (1 C ...
Philip Glass: Echorus for 2 violins and string orchestra (1995, version of the Etude No. 2 for piano) Gustav Holst: Double Concerto for 2 violins and orchestra, Op. 49; Bohuslav Martinů: Duo Concertante (Concerto No. 1) for 2 violins and orchestra, H. 264; Concerto No. 2 in D major for 2 violins and orchestra, H. 329
In 1924 they gave the American premiere of Leo Sowerby's Ballade for Two Pianos and Orchestra (King Estmere) with the Rochester Philharmonic Orchestra conducted by Albert Coates in New York. Sowerby also made a 2-piano version of the first of his two Paul Whiteman Orchestra commissions, Synconata , for the duo, as well as his Graingeresque ...
The initial critical response to the show was resoundingly negative. Critics savaged Lerner's book while largely praising Bernstein's score. [3] Only Patricia Routledge was spared, thanks mostly to her second act showstopper "Duet for One (The First Lady of the Land)" [4] for which she received a mid-show standing ovation on opening night in New York and a mid-show standing ovation from the ...