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Viennese waltz (German: Wiener Walzer) is a genre of ballroom dance. At least four different meanings are recognized. In the historically first sense, the name may refer to several versions of the waltz, including the earliest waltzes done in ballroom dancing, danced to the music of Viennese waltz.
Viennese Citizens: waltz One of Ziehrer's most famous compositions. 422 Freiherr von Schönfeld Marsch: march 438 Heimatsgefühle: waltz 444 Gebirgskinder: Mountain Children: waltz First performed in November 1892 at the Laxemburg Castle. The composition has remained one of Ziehrer's more famous works, and features a zither solo in its
Robert Stolz (1880–1975) – conductor and composer of operettas, film music and songs; Eduard Strauss (1835–1916) – dance-music composer; brother of Johann Strauss II; Johann Strauss I (1804–1849) – early-Romantic-era dance-music composer; Johann Strauss II (1825–1899) – Romantic-era composer of waltzes and polkas, wrote The Blue ...
The first waltz theme is a familiar gently rising triad motif played by cellos and horns in the tonic (D major), accompanied by the harp; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.
Choreographer Lyrik Cruz, best known for his work on iCarly, ... Ballroom dance: Viennese waltz. Ballroom song: “Golden Hour” by JVKE. Ballroom score: Carrie Ann 10, Derek 9, Bruno 10.
D'Woaldbuama [de; sv], Die Waldbuben, Walzer im Ländlerstil, The Forest Lads, Waltz in the style of a country dance Op. 66 Aeols-Töne [ de ; sv ] , Aeolian Sounds Op. 68 Die Gemüthlichen [ de ] , Op. 70
In contemporary ballroom dance, the fast versions of the waltz are called Viennese waltz as opposed to the Slow waltz. [24] In traditional Irish music, the waltz was taught by travelling dancing masters to those who could afford their lessons during the 19th century. By the end of that century, the dance spread to the middle and lower classes ...
The entire waltz section 4 is in B-flat as well, and waltz section 5 is wholly in E-flat. Waltz 5B contains the customary climax with cymbals and is loudly played. After a brief and tense coda, waltz 1A and 2B make a reappearance. As the waltz approaches its end, the zither solo makes another appearance, reprising its earlier melody in the ...