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In music theory, a tetrachord (Greek: τετράχορδoν; Latin: tetrachordum) is a series of four notes separated by three intervals.In traditional music theory, a tetrachord always spanned the interval of a perfect fourth, a 4:3 frequency proportion (approx. 498 cents)—but in modern use it means any four-note segment of a scale or tone row, not necessarily related to a particular tuning ...
The sub-intervals of the tetrachord were unequal, with the largest intervals always at the top, and the smallest at the bottom. The 'characteristic interval' of a tetrachord is its largest one. The Greater Perfect System ( systema teleion meizon ) was composed of four stacked tetrachords called (from lowest to highest) the Hypaton , Meson ...
In Turkish classical music, the Uşşak pitch class set is a set of scales that are named after the Uşşak or Hüseynî makams.For Uşşak, there is the Uşşak tetrachord and the Hüseynî pentachord.
An all-interval tetrachord is a tetrachord, a collection of four pitch classes, containing all six interval classes. [1] There are only two possible all-interval tetrachords (to within inversion), when expressed in prime form.
Dominant seventh chord on C: C 7 Play ⓘ.. A tetrad is a set of four notes in music theory.When these four notes form a tertian chord they are more specifically called a seventh chord, after the diatonic interval from the root of the chord to its fourth note (in root position close voicing).
The notes of the central tetrachord of the system in ascending order are hypate, parhypate, lichanos (or hypermese), and mese. A second tetrachord is added above, after a disjunctive tone, and the corresponding names (together with the interval ratios of the standing tones) are: [6] mese (4:3) – nete (2:1) (standing) lichanos – paranete ...
The Phrygian progression creates a descending tetrachord bassline: -♭-♭ - . Phrygian half cadence : i-v6-iv6-V in c minor (bassline: c -b ♭ -a ♭ -g) Play ⓘ . In music theory , the descending tetrachord is a series of four notes from a scale , or tetrachord , arranged in order from highest to lowest, or descending order.
The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise: iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode (minor). [1] It is otherwise known as the minor ...
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