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Motherlode is a 1988 James Brown compilation album.Created as a follow-up to the successful 1986 compilation In the Jungle Groove, it similarly focuses on Brown's funk recordings of the late 1960s and early 1970s.
The track is regarded as a classic of the funk genre and was included on a list of 500 songs that shaped rock and roll compiled by the Rock and Roll Hall of Fame. [ 9 ] Several other acts gained the first soul number ones of their respective careers in 1978, beginning in the issue of Billboard dated January 7 when Con Funk Shun topped the chart ...
The song was written by David Stewart and Jessica Agombar and produced by Stewart. [4] It has been described as an upbeat disco-pop song [1] with elements of funk, soul, and bubblegum pop, and takes influence from 1970s music—it features snapping handclaps, echoing synths, and celebratory horns.
Progressive soul (often shortened to prog-soul; also called black prog, black rock, and progressive R&B) [1] is a type of African-American music that uses a progressive approach, particularly in the context of the soul and funk genres. It developed in the late 1960s and early 1970s through the recordings of innovative black musicians who pushed ...
Around this time, the group's music evolved from soul and doo wop into a harder guitar-driven mix of psychedelic rock, soul and funk, much influenced by the popular musical (and political) movements of the time. Jimi Hendrix, Sly Stone, The MC5, and Vanilla Fudge were major inspirations. [4]
Bernard Lee "Pretty" Purdie (born June 11, 1939) is an American drummer, and an influential R&B, soul and funk musician. [1] He is known for his precise time-keeping [2] and his signature use of triplets against a half-time backbeat: the Purdie shuffle. [3]
Shadow was a music group in the funk-soul genre that was a spin-off from the Ohio Players. They released three albums on the Elektra label. They were Love Lite in 1979, Shadow in 1980, and Shadows in the Street in 1981. They also released a number of singles over the period from 1979 to 1981.
"Brother Louie" is a song by British soul band Hot Chocolate. Written by members Errol Brown and Tony Wilson and produced by Mickie Most, the song discusses an interracial love affair between a white man and a black woman, and the subsequent rejection of both by their parents because of it.