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The concertmaster (from the German Konzertmeister), first chair [1] (U.S.) or leader [2] (U.K.) is the principal first violin player in an orchestra (clarinet or oboe in a concert band). After the conductor , the concertmaster is the most significant leader in an orchestra , symphonic band or other musical ensemble .
Music ensembles typically have a leader. In jazz bands, rock and pop groups, and similar ensembles, this is the band leader. In classical music, orchestras, concert bands, and choirs are led by a conductor. In orchestra, the concertmaster (principal first violin player) is the instrumentalist leader of the orchestra. In orchestras, the ...
The first is a Baroque orchestra (i.e., J.S. Bach, Handel, Vivaldi), which generally had a smaller number of performers, and in which one or more chord-playing instruments, the basso continuo group (e.g., harpsichord or pipe organ and assorted bass instruments to perform the bassline), played an important role; the second is a typical classical ...
In addition to leading the section, principal players are responsible for playing any solos written for that voice in a given musical score. The principal first violin is called the concertmaster (or "leader" in the UK) and is considered the leader of not only the string section, but of the entire orchestra, subordinate only to the conductor.
A band is a group of musicians who are organized for ensemble playing. An all-female band is a band which has consisted entirely of female musicians for at least three-quarters of its active career. This article only lists all-female bands who perform original material that is either authored by themselves or authored by another musician for ...
"Let ring", meaning allow the sound to continue, do not damp; used frequently in harp or guitar music, occasionally in piano or percussion. Abbreviated "lasc. suon." leap or skip A melodic interval greater than a major 2nd, as opposed to a step. Melodies which move by a leap are called "disjunct". Octave leaps are not uncommon in florid vocal ...
Other such groups included Marie Roller's "Damen Elite Kapelle" ('Ladies' Elite'), [19] [20] the Ladies' Philharmony which had a female core of 11 women musicians, [21] and The Women’s String Orchestra of New York, 1896-1906, [22] and from 1888 to c. 1920, the Fadettes of Boston. Another women's orchestra was founded by Mary Wurm in 1898 in ...
Women in music play many roles and are responsible for a broad range of contributions in the industry. Women continue to shape movements, genres, and trends as composers, songwriters, instrumental performers, singers, conductors, and music educators. Women's music, which is created by and for women, can explore women's rights and feminism ...