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  2. WGA Would Allow Artificial Intelligence in Scriptwriting, as ...

    www.aol.com/entertainment/wga-allow-artificial...

    The Writers Guild of America has proposed allowing artificial intelligence to write scripts, as long as it does not affect writers’ credits or residuals. The guild had previously indicated that ...

  3. Theaitre - Wikipedia

    en.wikipedia.org/wiki/Theaitre

    While R.U.R. was a play written by a human about robots (and humans), THEaiTRE tried to reverse this idea by presenting a play written by a "robot" (artificial intelligence) about humans (and robots). [7] The script of the play was published online, with marked parts of the text which were written manually or manually post-edited. [8]

  4. Top AI Tools for Business Plan Writing

    www.aol.com/finance/top-ai-tools-business-plan...

    These tools use artificial intelligence to generate full business plans you can take to investors. ... Writing a business plan is an important, if arduous, task. Most investors and financial ...

  5. How businesses are increasingly embracing the use of ... - AOL

    www.aol.com/news/businesses-increasingly...

    As part of Scripps News' series "Capitalizing Technology," an expert explains how American businesses are seeing benefits with artificial intelligence and where he sees it going in the near future.

  6. AI: When a Robot Writes a Play - Wikipedia

    en.wikipedia.org/wiki/AI:_When_a_Robot_Writes_a_Play

    The play is the first result of the THEaiTRE research project, aiming to commemorate the centenary of the R.U.R. play by Karel Čapek by investigating to what extent artificial intelligence could be used to create theatre play scripts. [1] [2] [3] The script of the play was created using the THEaiTRobot tool, [4] based on the GPT-2 language ...

  7. Electronic literature - Wikipedia

    en.wikipedia.org/wiki/Electronic_literature

    Companies hired authors and programmers to write text adventure games, as Veronika Megler, who wrote The Hobbit video game in 1982, described in an interview with The Guardian. [ 39 ] For hypertext fiction and digital poetry , the eighties were a time of experimentation in separate communities that were not necessarily aware of each other.

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