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Eugen Berthold Friedrich Brecht [a] (10 February 1898 – 14 August 1956), known as Bertolt Brecht and Bert Brecht, was a German theatre practitioner, playwright, and poet.. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote The Threepenny Opera with Elisabeth Hauptmann and Kurt Weill and began a life-long ...
Fear and Misery of the Third Reich (German: Furcht und Elend des Dritten Reiches), also known as The Private Life of the Master Race, is one of Bertolt Brecht's most famous plays and the first of his openly anti-Nazi works. It premiered on 21 May 1938 in Paris. This production was directed by Slatan Dudow and starred Helene Weigel. [1]
Pages in category "Works by Bertolt Brecht" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. A.
Brecht, in his typical anti-realist style, uses the device of a "play within a play".The "frame" play is set in the Soviet Union around the end of the Second World War.It shows a dispute between two communes, the Collective Fruit Farm Galinsk fruit growing commune and the Collective Goat Farmers, over who is to own and manage an area of farm land after the Nazis have retreated from a village ...
One of Brecht's most-important aesthetic innovations prioritised function over the sterile dichotomous opposition between form and content. [6] Epic theatre and its many forms is a response to Richard Wagner 's idea of " Gesamtkunstwerk ", or "total artwork", which intends each piece of art to be composed of other art forms.
The German peace researcher Reiner Steinweg de used his seminal analysis of the Lehrstücke form in the work of Brecht (Das Lehrstück. Brechts Theorie einer politisch-ästhetischen Erziehung ) to develop his own self-reflexive peace-activist educational work, which initiated his local activism project "Gewalt in der Stadt".
The Resistible Rise of Arturo Ui (German: Der aufhaltsame Aufstieg des Arturo Ui), subtitled "A parable play", is a 1941 play by the German playwright Bertolt Brecht.It chronicles the rise of Arturo Ui, a fictional 1930s Chicago mobster, and his attempts to control the cauliflower racket by ruthlessly disposing of the opposition.
In the current publication, the Arcade edition was translated from Brecht's final revision in 1954 by Gerhard Nellhaus (and by Brecht himself, who made his own English version of the first scene). The Bentley translation is based on public domain material of 1926, many years before Brecht finished revising the play.