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Lawrence Kramer (born 1946) is an American musicologist and composer. His academic work is closely associated with the humanistic, culturally oriented New Musicology, [1] now more often referred to as cultural or critical musicology. [2]
Primarily, humanistic therapy encourages a self-awareness and reflexivity that helps the client change their state of mind and behavior from one set of reactions to a healthier one with more productive and thoughtful actions. Essentially, this approach allows the merging of mindfulness and behavioral therapy, with positive social support.
Karl Haas (December 6, 1913 – February 6, 2005) was a German-American classical music radio host, known for his sonorous speaking voice, humanistic approach to music appreciation, and popularization of classical music. [1]
Many of the songs in the 1950s hinted at the simmering racial tension that would later usher in the Civil Rights Movement in the 1960s. The 1950s was a pivotal era in music, laying the groundwork ...
Helen Bonny studied with E. Thayer Gaston at the University of Kansas in the early 1960s, where she received her bachelor's degree in music education, with a major in music therapy. She continued on to receive a master's degree in music education with an emphasis in research. [ 1 ]
Elements found in both the music therapy and education approaches include the understanding of holistic music presentation as involving word, sound and movement, the use of both music and play improvisation as providing a creative stimulus for the child to investigate and explore, Orff instrumentation, including keyboard instruments and ...
During the 1950s European popular music give way to the influence of American forms of music including jazz, swing and traditional pop, mediated through film and records. The significant change of the mid-1950s was the impact of American rock and roll , which provided a new model for performance and recording, based on a youth market.
Popular music, or "classic pop," dominated the charts for the first half of the 1950s.Vocal-driven classic pop replaced Big Band/Swing at the end of World War II, although it often used orchestras to back the vocalists. 1940s style Crooners vied with a new generation of big voiced singers, many drawing on Italian bel canto traditions.