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Verses 10–31 of this chapter, also called Eshet Ḥayil (אשת חיל, woman of valor), form a poem in praise of the good wife, a definition of a perfect wife or "ideal woman" in the nation of Israel, who is 'an industrious housewife, a shrewd businesswoman, an enterprising trader, a generous benefactor (verse 20) and a wise teacher (verse ...
Of the ten types of women in the poem, nine are delineated as destructive: those who derive from the pig, fox, dog, earth, sea, donkey, ferret, [a] mare, and monkey. Only the woman who comes from the bee is considered to make a good wife. [4] The second part of the poem consists of a complaint about the evils of women in general. [5]
A wife must always be submissive to her husband, and she can neither be offensive nor jealous. The husband has duties outside of the home and the wife has duties inside, and they do not interfere with the tasks of each other. [citation needed] To fulfill the role of "good wife, wise mother," the woman must educate her children accordingly ...
The Legend of Good Women is a poem in the form of a dream vision by Geoffrey Chaucer during the fourteenth century.. The poem is the third longest of Chaucer's works, after The Canterbury Tales and Troilus and Criseyde, and is possibly the first significant work in English to use the iambic pentameter or decasyllabic couplets which he later used throughout The Canterbury Tales.
The "Good Wife's Guide" is a magazine article rumored to have been published in the May 13, 1955 issue of Housekeeping Monthly, describing how a good wife should act, ...
The Angel in the House – 1854 narrative poem by Coventry Patmore; Culture of Domesticity – 19th-century value system for American women; Good Wife, Wise Mother – Traditional ideal for womanhood in East Asia; Manic Pixie Dream Girl – Female stock character who acts as a love interest; María Clara – Fictional character
[16] [k] Tryambaka is quite clear upon the automatic good effect of sati for the woman who was a 'bad' wife: Women who, due to their wicked minds, have always despised their husbands [...] whether they do this (i.e., sati), of their own free will, or out of anger, or even out of fear – all of them are purified from sin.
The last complete poem written by Poe, it was published shortly after his death in 1849. The speaker of the poem talks about a lost love, Annabel Lee, and may have been based on Poe's own relationship with his wife Virginia, though that is disputed.