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Many of the songs in the 1950s hinted at the simmering racial tension that would later usher in the Civil Rights Movement in the 1960s. ... laying the groundwork for the rock and roll songs of the ...
Throughout most of the 1950s, the magazine published the following charts to measure a song's popularity: Most Played by Jockeys – ranked the most played songs on United States radio stations, as reported by radio disc jockeys and radio stations. Most Played in Jukeboxes – ranked the most played songs in jukeboxes across the United States.
Rock and roll has also been seen as leading to a number of distinct subgenres, including rockabilly (see below) in the 1950s, combining rock and roll with "hillbilly" country music, which was usually played and recorded in the mid-1950s by white singers such as Carl Perkins, Jerry Lee Lewis, Buddy Holly and with the greatest commercial success ...
Bing Crosby had three songs on the year-end top 30. The Ames Brothers had three songs on the year-end top 30. This is a list of Billboard magazine's top popular songs of 1950 according to retail sales.
In 1950, the following four charts were produced: Best Sellers in Stores – ranked the biggest selling singles in retail stores, as reported by merchants surveyed throughout the country. Most Played by Jockeys – ranked the most played songs on United States radio stations, as reported by radio disc jockeys and radio stations.
The origins of rock and roll are complex.Rock and roll emerged as a defined musical style in the United States in the early to mid-1950s. It derived most directly from the rhythm and blues music of the 1940s, [1] which itself developed from earlier blues, the beat-heavy jump blues, boogie woogie, up-tempo jazz, and swing music.
Frankie Laine (at piano) and Patti Page, c. 1950 Harry Belafonte, 1954 This is a partial list of notable active and inactive bands and musicians of the 1950s . Musicians
Together they created a string of good-humored "storytelling" hits that are some of the most entertaining from the original era of rock and roll. [2] According to Leiber and Stoller, getting the humor to come through on the records often required more recording "takes" than for a typical musical number.