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"Dios Nunca Muere" (English: God Never Dies) is a Mexican waltz written by composer and violinist Macedonio Alcalá in 1868. Is the de facto anthem of the state of Oaxaca. [1] "
A dirge (Latin: dirige, nenia [1]) is a somber song or lament expressing mourning or grief, such as may be appropriate for performance at a funeral. Often taking the form of a brief hymn, dirges are typically shorter and less meditative than elegies. [2] Dirges are often slow and bear the character of funeral marches.
O Salutaris Hostia" (Latin, "O Saving Victim" or "O Saving Sacrifice") is section of one of the Eucharistic hymns written by Thomas Aquinas for the Feast of Corpus Christi and the Hour of Lauds in the Divine Office. It is actually the last two stanzas of the hymn Verbum supernum prodiens and is used for the Adoration of the Blessed Sacrament.
Flor y Canto Segunda Edición is a hymnal which includes 737 hymns and songs in Spanish in a variety of styles, representing music from the Americas, Mexico, Spain, Guatemala, Nicaragua, and Puerto Rico. 'Flor y Canto' is Spanish for 'flower and song'. Flor y Canto Segunda Edición was compiled by Rodolfo López. The second edition was ...
Spanish lyrics: Tierra bendita y divina es la de Palestina donde nació Jesús; Eres, de las naciones, cumbre bañada por la lumbre que derramó su luz. Coro Eres la historia inolvidable, Porque en tu seno se derramó La sangre, preciosa sangre, Del unigénito Hijo de Dios. Cuenta la historia del pasado que en tu seno sagrado vivió el Salvador,
Despite its popularity in Catalonia [6] and Galicia, the Salve Marinera has only a Castilian Spanish version; it does not exist in any of the other languages of Spain. The present music accompanying the hymn was adapted in 1942 by Jesús Montalbán Vizcón, then director of the Spanish Navy's training facilities' musical band (Banda de Música de la Escuela Naval).
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The melodies of such hymns often appeared in cantatas, for example as in the four-part settings concluding Bach's works, or as a cantus firmus in larger choral movements. Other occasions for church cantatas include weddings and funeral services. The genre was later taken up by composers such as Felix Mendelssohn.