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An acoustic version of "Polly", featuring Pat Smear on second guitar and Lori Goldston on cello, was performed during Nirvana's MTV Unplugged appearance at Sony Music Studios in New York City on November 18, 1993. The last live performance of "Polly" was at Nirvana's final concert, at Terminal 1 in Munich, Germany, on March 1, 1994.
"On a Plain" was performed during Nirvana's MTV Unplugged appearance at Sony Music Studios in New York City on November 18, 1993. This version featured Pat Smear on second guitar and Lori Goldston on cello. The song was performed for the final time live at Nirvana's last concert, at Terminal Eins in Munich, Germany on March 1, 1994.
Nevermind is the second studio album by the American rock band Nirvana, released on September 24, 1991, by DGC Records.It was Nirvana's first release on a major label and the first to feature drummer Dave Grohl.
Lori Goldston (born 1963 or 1964) [1] is an American cellist and composer. Accomplished in a wide variety of styles, including classical, world music, rock and free improvisation, she came to prominence as the touring cellist for Nirvana from 1993–1994 and appears on their live album MTV Unplugged in New York.
Polly (Nirvana song) R. Radio Friendly Unit Shifter; Rape Me; Raunchola; S. Sappy; Scentless Apprentice; School (Nirvana song) Scoff (song) Serve the Servants ...
"Breed" is a song by the American grunge band Nirvana, written by vocalist and guitarist Kurt Cobain. It is the fourth song on their second studio album, Nevermind, released in September 1991.
The song was little-known outside the indie-pop scene until Seattle grunge band Nirvana recorded the song in November 1993 for their live acoustic album MTV Unplugged in New York, re-titling it "Jesus Doesn't Want Me for a Sunbeam". [3] Two more versions were released by Nirvana on their 2004 box set With the Lights Out.
According to Nevermind's producer Butch Vig in the 2005 Classic Albums: Nirvana - Nevermind DVD, "Drain You" featured more guitar overdubs than any other song on the album: one clean track and five distorted tracks, two using a Mesa Boogie amp, two using a Fender Bassman amp, and one that they called the "super grunge" track, using a pedal on the Fender Bassman.