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The Deva King of the South, a stone-carved relief on the interior of the Cloud Platform at Juyong Pass, built between 1342 and 1345 in what was then the Mongol Yuan-dynasty capital Khanbaliq (modern Beijing); the monument contains inscriptions in six different scripts: Lanydza script (used to write Sanskrit), Tibetan script (used to write the Tibetan language), 'Phags-pa script (created at the ...
The Five Dynasties and Ten Kingdoms period (Chinese: 五代十國) was an era of political upheaval and division in Imperial China from 907 to 979. Five dynastic states quickly succeeded one another in the Central Plain, and more than a dozen concurrent dynastic states, collectively known as the Ten Kingdoms, were established elsewhere, mainly in South China.
For most of its history, China was organized into various dynastic states under the rule of hereditary monarchs.Beginning with the establishment of dynastic rule by Yu the Great c. 2070 BC, [1] and ending with the abdication of the Xuantong Emperor in AD 1912, Chinese historiography came to organize itself around the succession of monarchical dynasties.
In Chinese opera, plays depicting guzhuang is called guzhuangxi (Chinese: 古装戏; pinyin: gǔzhuāngxì; lit. 'ancient costume drama'), also known as guzhuangxinxi (Chinese: 古装新戏; pinyin: gǔzhuāngxīnxì; lit. 'ancient costume in new drama'), or guzhuanggewuju (lit. 'ancient-costume song-dance drama'), were performed by Mei Lanfang.
The Chinese empire reached some of its farthest geographical extents during this period. Confucianism was officially sanctioned and its core texts were edited into their received forms. Wealthy landholding families independent of the ancient aristocracy began to wield significant power.
Throughout Chinese history, China had multiple periods of golden age. In Chinese historiography, golden ages on a large scale are known as shèngshì (盛世, lit. Prosperous Era), while golden ages on a smaller scale are termed as zhìshì (治世, lit. Well-Governed Era).
A list of Chinese symbols, designs, and art motifs, including decorative ornaments, patterns, auspicious symbols, and iconography elements, used in Chinese visual arts, sorted in different theme categories. Chinese symbols and motifs are more than decorative designs as they also hold symbolic but hidden meanings which have been used and ...
The four occupations were the shì (士) the class of "knightly" scholars, mostly from lower aristocratic orders, the gōng (工) who were the artisans and craftsmen of the kingdom and who, like the farmers, produced essential goods needed by themselves and the rest of society, the nóng (農) who were the peasant farmers who cultivated the land which provided the essential food for the people ...