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Post-painterly abstraction is a term created by art critic Clement Greenberg [1] as the title for an exhibit he curated for the Los Angeles County Museum of Art in 1964, which subsequently travelled to the Walker Art Center and the Art Gallery of Toronto.
American abstract art was struggling to win acceptance and AAA personified this. The 1938 Yearbook addressed criticisms levied against abstract art by the press and public. It also featured essays related to principles behind and the practice of making abstract art. In 1940, AAA printed a broadside titled "How Modern is the Museum of Modern Art?"
Go is the title of a pair of artworks by the American artist Kehinde Wiley.Both pieces depict young black people set against blue skies. The first piece, a series of oil paintings executed in 2003, are in the collection of the Brooklyn Museum; the second is a stained-glass triptych designed for the ceiling of the Moynihan Train Hall at Pennsylvania Station in Midtown Manhattan, New York City.
The Bay Area Figurative Movement (also known as the Bay Area Figurative School, Bay Area Figurative Art, Bay Area Figuration, and similar variations) was a mid-20th-century art movement made up of a group of artists in the San Francisco Bay Area who abandoned working in the prevailing style of Abstract Expressionism in favor of a return to figuration in painting during the 1950s and onward ...
Adolph Friedrich Reinhardt (December 24, 1913 – August 30, 1967) was an abstract painter and Art theorist active in New York City for more than three decades. As a theorist he wrote and lectured extensively on art and was a major influence on conceptual art, minimal art and monochrome painting.
Painting is considered to be a form of self-expression. [30] Drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art), among other aesthetic modes, may serve to manifest the expressive and conceptual intention of the practitioner. [31]
Rereadings into abstract art, done by art historians such as Linda Nochlin, [30] Griselda Pollock [31] and Catherine de Zegher [32] critically shows, however, that pioneer women artists who have produced major innovations in modern art had been ignored by the official accounts of its history, but finally began to achieve long overdue ...
Tony Smith, Free Ride, 1962, 6'8 × 6'8 × 6'8, Museum of Modern Art (New York City). Minimalism describes movements in various forms of art and design, especially Visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts.