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His version was finished 10 years later, without much of the French influence he saw in Ravel's. Stokowski omits two movements, "Tuileries" and "Limoges", because he felt they showed too much French influence and had a suspicion they might have been composed by Nikolai Rimsky-Korsakov , whose 1886 edition was the first published version of ...
Ravel completely reworked his idea of Wien into what became La valse, which was to have been written under commission from Serge Diaghilev as a ballet. However, he never produced the ballet. [6] After hearing a two-piano reduction performed by Ravel and Marcelle Meyer, Diaghilev said it was a "masterpiece" but rejected Ravel's work as "not a ...
Ravel made orchestral versions of piano works by Schumann, Chabrier, Debussy and Mussorgsky's piano suite Pictures at an Exhibition. Orchestral versions of the last by Mikhail Tushmalov , Sir Henry Wood and Leo Funtek predated Ravel's 1922 version, and many more have been made since, but Ravel's remains the best known. [ 216 ]
L'heure espagnole is a French one-act opera from 1911, described as a comédie musicale, with music by Maurice Ravel to a French libretto by Franc-Nohain, based on Franc-Nohain's 1904 play ('comédie-bouffe') of the same name [1] [2] The opera, set in Spain in the 18th century, is about a clockmaker whose unfaithful wife attempts to make love to several different men while he is away, leading ...
Pictures at an Exhibition [a] is a piano suite in ten movements, plus a recurring and varied Promenade theme, written in 1874 by Russian composer Modest Mussorgsky.It is a musical depiction of a tour of an exhibition of works by architect and painter Viktor Hartmann put on at the Imperial Academy of Arts in Saint Petersburg, following his sudden death in the previous year.
Orchestra 1907 A15: Nikolai Rimsky-Korsakov: Antar: Orchestra 1909 Incidental music to a 5-act play by Chékry-Ganem; partial reorchestration of most of the symphonic poem Antar Op. 9, the movements reordered and interspersed with reorchestrated fragments of the same work, a fragment of the opera Mlada, orchestrated fragments of songs from the Romances Op. 4 and Op. 7, and an extract from ...
In 1922, Koussevitzky commissioned Maurice Ravel's arrangement of Modest Mussorgsky's 1874 suite for piano, Pictures at an Exhibition, which was premiered on 19 October that year [14] and quickly became the most famous and celebrated orchestration of the work. Koussevitzky held the rights to this version for many years.
Ravel's piano compositions, such as Jeux d'eau, Miroirs, Le tombeau de Couperin and Gaspard de la nuit, demand considerable virtuosity from the performer, and his orchestral music, including Daphnis et Chloé and his arrangement of Modest Mussorgsky's Pictures at an Exhibition, uses a variety of sound and instrumentation very effectively.