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Ravel completely reworked his idea of Wien into what became La valse, which was to have been written under commission from Serge Diaghilev as a ballet. However, he never produced the ballet. [6] After hearing a two-piano reduction performed by Ravel and Marcelle Meyer, Diaghilev said it was a "masterpiece" but rejected Ravel's work as "not a ...
His version was finished 10 years later, without much of the French influence he saw in Ravel's. Stokowski omits two movements, "Tuileries" and "Limoges", because he felt they showed too much French influence and had a suspicion they might have been composed by Nikolai Rimsky-Korsakov , whose 1886 edition was the first published version of ...
Ravel made orchestral versions of piano works by Schumann, Chabrier, Debussy and Mussorgsky's piano suite Pictures at an Exhibition. Orchestral versions of the last by Mikhail Tushmalov , Sir Henry Wood and Leo Funtek predated Ravel's 1922 version, and many more have been made since, but Ravel's remains the best known. [ 216 ]
Pictures at an Exhibition [a] is a piano suite in ten movements, plus a recurring and varied Promenade theme, written in 1874 by Russian composer Modest Mussorgsky.It is a musical depiction of a tour of an exhibition of works by architect and painter Viktor Hartmann put on at the Imperial Academy of Arts in Saint Petersburg, following his sudden death in the previous year.
The content used in à r. is formed by two different types of textures: on the one hand, random walks and, on the other hand, simultaneities. Simultaneities can be described as Xenakis's adaptation of the concept of a sound mass as a complex chord, which therefore creates a vertical block of timbral color.
In 1922, Koussevitzky commissioned Maurice Ravel's arrangement of Modest Mussorgsky's 1874 suite for piano, Pictures at an Exhibition, which was premiered on 19 October that year [14] and quickly became the most famous and celebrated orchestration of the work. Koussevitzky held the rights to this version for many years.
“There was Debussy, Ravel, and Satie, all around the same time,” said Avery. Rather than sampling an existing piano version, they performed it themselves. “We did it on bass and guitar ...
In the years 1904–05, as he was finishing his String Quartet, Ravel composed Miroirs (Mirrors), a suite of five short piano pieces. [13] He later orchestrated two of them: the orchestral version of "Une Barque sur l'océan" (A Barque on the Ocean) came out in 1906; [14] more than a decade elapsed before Ravel orchestrated the other, the "Alborado del gracioso".