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Liu Kang, Artist and Model, 1954, Oil on canvas, 84 x 124cm, Collection of National Gallery Singapore The Nanyang artists are particularly known for embarking on a 1952 painting trip to Bali, with the representation of Balinese and Southeast Asian material culture in their work for the resulting 1953 exhibition Pictures from Bali. [3]
Detail wall painting, Ladakh Detail of a wall painting in a Buddhist temple in Ladakh/India. The support for wall paintings is made of earthen plaster, usually consisting of more than one layer of earthen plaster, in which the last layer is rendered as smoothly as possible. The support was covered by a smoothened ground, generally in white.
Ancient Burmese art was influenced by India and China, and was often religious in nature, ranging from Hindu sculptures in the Thaton Kingdom to Theravada Buddhist images in the Sri Ksetra Kingdom. [1] The Bagan period saw significant developments in many art forms from wall paintings and sculptures to stucco and wood carving. [1]
The Lý dynasty, beginning in the 11th century is viewed specifically as the golden age of Vietnamese art, and its ceramics became famous across East and Southeast Asia. The Lý dynasty also saw the construction of many of Vietnam's landmark structures, including the Temple of Literature , One Pillar Pagoda , and Quỳnh Lâm Temple.
Along with these developments in professional art circles, there was a proliferation of peasant art depicting everyday life in the rural areas on wall murals and in open-air painting exhibitions. During the Great Leap Forward , authorities promoted the Peasant Painting Movement, from which hundreds of thousands of new artists emerged. [ 19 ]
Lhazo - Painting: From the images on thangkas, walls paintings, and statues to the decorations on furniture and window-frames. Lugzo - Bronze casting: Production of bronze roof-crests, statues, bells, and ritual instruments, in addition to jewelry and household items using sand casting and lost-wax casting. Larger statues are made by repoussé.