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The Word Biblical Commentary (WBC) is a series of commentaries in English on the text of the Bible both Old and New Testament. It is currently published by the Zondervan Publishing Company . Initially published under the "Word Books" imprint, the series spent some time as part of the Thomas Nelson list.
This is an outline of commentaries and commentators.Discussed are the salient points of Jewish, patristic, medieval, and modern commentaries on the Bible. The article includes discussion of the Targums, Mishna, and Talmuds, which are not regarded as Bible commentaries in the modern sense of the word, but which provide the foundation for later commentary.
John 2 opens on the "third day". [5] The second/third century theologian Origen suggested this was the third day from the last-named day in John 1:44 [6] [7] and the Jamieson-Fausset-Brown Bible Commentary argues that it would take Jesus three days to travel from Bethabara in Perea to Cana in Galilee.
The Goanna Band is the four-track debut extended play (EP) by Australian indie pop, folk rock group of the same name, which was later trimmed to Goanna.The EP was released in 1979 by Rose Bygrave on keyboards and vocals, Gary Crothall on drums, Warwick Harwood on lead guitar and vocals, Shane Howard on guitar and lead vocals, Ian Morrison on harmonica and vocals, and Carl Smith on bass guitar.
Lenski's major work was a 12-volume series of commentaries on the New Testament, published originally by the Lutheran Book Concern. Each contains a literal translation of the Greek texts and commentary from a traditional Lutheran perspective. [5] Some of the volumes were published after his death.
Goanna is an Australian rock band which formed in 1977 in Geelong as The Goanna Band with mainstay Shane Howard as singer-songwriter and guitarist. The group integrated social protest with popular music and reached the Top 20 on the Australian Kent Music Report Singles Chart with "Solid Rock" (1982) and "Let the Franklin Flow" (released under the name Gordon Franklin & the Wilderness Ensemble ...
Wati kutjara is one of the most important Dreamings around Balgo; [2] in Kukatja narratives, the Wati kutjara are often likened to the wind, whose form they adopt when in danger. [2] The men's first action is to sing about their names in order to establish their own identity. [ 3 ]
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