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The hannya (般若) is a mask used in a traditional Japanese Noh theater, representing a jealous female demon. It is characterized by two sharp bull-like horns, metallic eyes, and a leering mouth. [1] In Noh plays, the type of mask changes according to the degree of jealousy, resentment, and anger of the female characters.
Men-yoroi (面鎧), also called menpō (面頬) or mengu (面具), [1] [2] [3] are various types of facial armour that were worn by the samurai class and their retainers in feudal Japan. These include the sōmen , menpō , hanbō or hanpō , and happuri .
Kyoto geisha Toshimana holding a Nōh mask, wearing full make-up and a katsura (wig). Oshiroi (白粉) is a powder foundation traditionally used by kabuki actors, geisha and their apprentices. The word is written with kanji meaning "white powder", and is pronounced as the word for white (shiroi) with the honorific prefix o-.
Onryō are used as subjects in various traditional Japanese performing arts such as Noh, Kabuki, and Rakugo; for example, hannya is a Noh mask representing a female onryō. [5] The Japanese people's reverence for onryō has been passed down to the present day.
A dancing drummer wearing a Namahage costume, performed Namahage-Daiko in Akita Station.. The Namahage (生剥げ, なまはげ) [1] are demonlike beings portrayed by men wearing hefty oni (ogre) masks and traditional straw capes during a New Year's ritual, in local northern Japanese folklore of the Oga Peninsula area of Akita Prefecture.
Hakama – A type of traditional Japanese clothing; originally inspired from kù (simplified Chinese: 裤; traditional Chinese: 褲), trousers used by the Chinese imperial court in the Sui and Tang dynasties. This style was adopted by the Japanese in the form of the hakama, beginning in the sixth century.
A Gyōdō mask from the Heian period at the Guimet Museum. Surviving masks include a pair of masks dating from 1086 and 1334 at Tōdai-ji (); [5] a set of ten masks dating from 1138 for use in the shōryō-e (聖霊会) ceremonies at Hōryū-ji (); [6] thirteen Heian-period masks from Mitsuki Hachimangū (御調八幡宮) (); [7] a Kamakura-period mask of Tamonten at the Tokyo National Museum ...
Kyōgen (狂言, "mad words" or "wild speech") is a form of traditional Japanese comic theater.It developed alongside Noh, was performed along with Noh as an intermission of sorts between Noh acts on the same stage, and retains close links to Noh in the modern day; therefore, it is sometimes designated Noh-kyōgen.