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The twelve masks of the Hahoetal represent the characters needed to perform all the roles in the Hahoe pyolsin-gut. Of the twelve original masks, nine remain and are counted among the national treasures of Korea. Each mask has a unique set of design characteristics to portray the full range needed in the representation of these stock characters.
Cheoyongmu (Korean: 처용무) is a Korean mask dance based on the legend of Cheoyong (처용, 處容), a son of the Dragon King of the Eastern Sea. [1] It is also the oldest surviving Korean court dance created during the Unified Silla period.
Korean shamanism, also known as musok (Korean: 무속; Hanja: 巫俗) or Mu-ism (무교; 巫敎; Mugyo), is a religion from Korea. Scholars of religion classify it as a folk religion and sometimes regard it as one facet of a broader Korean vernacular religion distinct from Buddhism , Daoism , and Confucianism .
The village is a UNESCO World Heritage Site, the dance-drama an Important Intangible Cultural Property, and a collection of thirteen (13) masks are a National Treasure. The ritual shares some of the major themes of Korean masked drama and Korean shamanism, namely satire and the ridicule of apostate Buddhist priests and the nobility. [1] [2] [3]
Gut (Korean: 굿, also romanised kut or goot) are the rites performed by Korean shamans, involving offerings and sacrifices to gods, spirits and ancestors. [1] They are characterised by rhythmic movements, songs, oracles and prayers. [2] These rites are meant to create welfare, promoting commitment between the spirits and humankind. [1]
Practitioners of Korean shamanism are usually female, though male shamans do exist as well. [27] Korean shamans of either gender can be called mudang or mansin, while paksu is a term only for a male shaman. [27] The two main ways one becomes a shaman are either hereditarily, or by suffering through mubyŏng ("spirit possession sickness").
The goddesses' upper garments in the Naewat-dang paintings are about as long as those in 17th-century paintings of Korean women, and are far longer than 18th- or 19th-century equivalents. [59] Meanwhile, the portraits depict the upper garments as being tucked under the skirt, a practice unusual in the Goryeo era (936–1392) and afterwards but ...
Masks of any type are called tal (Korean: 탈) in Korean, but they are also known by many others names such as gamyeon, gwangdae, chorani, talbak and talbagaji. Korean masks come with black cloth attached to the sides of the mask designed to cover the back of the head and also to simulate black hair.