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Favorite Songs and Hymns, Morris, Stamps, Baxter, Combs (1939) Heavenly Highway Hymns, Stamps-Baxter (1948/1976) An Eclectic Harmony II, Eclectic Harmony II Music Committee, Sharon Kellam and Berkley Moore, Co-Chairs. Boone, North Carolina, (2001) The Christian Hymnary, The Christian Hymnary Publishers (1972) The Church Hymnal, Herald Press (1926)
Heavenly Highway Hymns, Stamps-Baxter Music and Printing Company; The Hymnal for Worship and Celebration, Word Music (1986) Hymns for the Family of God, Brentwood Music (1976) Hymns For The Living Church, Hope Publishing (1974) Hymns for Today's Church, Jubilate Hymns (1982) – predominantly evangelical Anglican
Virgil Oliver Stamps founded the company in 1924 and J. R. Baxter Jr. joined him to form the Stamps-Baxter Music Company, which was based in Dallas, Texas, with offices in Chattanooga, Tennessee and Pangburn, Arkansas. Stamps got his start working for the James D. Vaughan Publishing Company from which he got many of his business ideas.
Numerous songbooks are printed in shaped notes for this market. They include Christian Hymnal, [19] the Christian Hymnary, Hymns of the Church, Zion's Praises, [19] Pilgrim's Praises, the Church Hymnal, [19] Silver Gems in Song, the Mennonite Hymnal, [20] and Harmonia Sacra. Some African-American churches use the seven-shape note system. [21]
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It contains a number of hymns (both in the traditional definition and the modern version of any congregational sacred song), including the first anti-abortion hymn/song I've seen. Given the specific needs of Catholics for missals, as well as hymnals which contain the order of the Mass, I'm unsure if this could be kept in a separate section.
The SATB musical arrangement popularized in the hymnals published by Charles Davis Tillman is the background song in the 1941 film Sergeant York. It is featured prominently in the film Inherit the Wind. It also appears in Russ Meyer's penultimate movie Beneath the Valley of the Ultra-Vixens and in HBO's Carnivàle. [6]
Heartworn Highways is a documentary film by James Szalapski whose vision captured some of the founders of the Outlaw Country movement in Texas and Tennessee in the last weeks of 1975 and the first weeks of 1976. [1] The film was not released theatrically until 1981. [1] It has since gained cult status amongst fans of the genre. [2]