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Afrobeat (also known as Afrofunk [3] [4]) is a West African music genre, fusing influences from Yoruba music [5] [6] and Ghanaian music (such as highlife), [7] with American funk, jazz, and soul influences.
The song's beats are said to resemble the popular four-beat of house music, but in fact follows the 3–2 or 2–3 of Afrobeats. This beat is known as the clave and mixes a rhythm with a normal 4/4 beat, it is commonly seen in many forms West African music.
Though primarily classified as a reggae group, The Drastics embrace many styles of music both live and in the studio. This can be heard in their songs which draw from roots reggae, hip hop, jazz (mostly hard-bop), afro-beat, dancehall, as well as folk musics from Asia, Africa, the Middle East and South America.
Afrobeats: The Backstory is a documentary series that delves into the rise and global influence of Afrobeats, a genre of music that originated in Nigeria.Directed by Nigerian filmmaker Ayo Shonaiya, the series premiered on Netflix on 29 June 2022, offering an in-depth look at the cultural, political, and social landscape that shaped the Afrobeats sound, as well as its growth.
In African music, this is a cross-rhythmic fragment generated through cross-rhythm: 8 pulses ÷ 3 = 2 cross-beats (consisting of three pulses each) with a remainder of a partial cross-beat (spanning two pulses). In divisive form, the strokes of tresillo contradict the beats while in additive form, the strokes of tresillo are the beats. From a ...
A style of house music dating back to the early '90s, hard house is defined by its aggressive sounds and distorted beats. One of the most recognizable of these is the Hoover sound, invented by Joey Beltram. Dominant labels in the 1990s were Tidy Trax, Nukleuz Records and Tripoli Trax.
Tems top charted artist of 2022 Wizkid "Essence" with Justin Bieber and Tems became song of the year.. The Billboard U.S. Afrobeats Songs chart ranks the best-performing Afrobeats singles in the United States.
Afro Blue" was the first jazz standard built upon a typical African three-against-two (3:2) cross-rhythm, or hemiola. [15]: 26 The song begins with the bass repeatedly playing 6 cross-beats per each measure of 12 8, or 6 cross-beats per 4 main beats—6:4 (two cells of 3:2).