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  2. Cornicello - Wikipedia

    en.wikipedia.org/wiki/Cornicello

    A silver cornicello charm. A cornicello (Italian pronunciation: [korniˈtʃɛllo]), cornetto (Italian for 'little horn' / 'hornlet'; ), corno (Italian for 'horn"'), or corno portafortuna (Italian for 'horn that brings luck') is an Italian amulet or talisman worn to protect against the evil eye (or malocchio [maˈlɔkkjo] in Italian) and bad luck in general, and, historically, to promote ...

  3. Corno ducale - Wikipedia

    en.wikipedia.org/wiki/Corno_ducale

    The corno ducale (Italian for 'ducal horn'), a unique ducal hat, was the headgear and symbol of the Doge of Venice.It was a stiff horn-like bonnet, which was made of gemmed brocade or cloth-of-gold and worn over a camauro.

  4. 1400–1500 in European fashion - Wikipedia

    en.wikipedia.org/wiki/1400–1500_in_European...

    Young Italian men wear brimless caps, The Betrothal, c. 1470 [1] As Europe continued to grow more prosperous, the urban middle classes, skilled workers, began to wear more complex clothes that followed, at a distance, the fashions set by the elites. It is in this time period that fashion took on a temporal aspect.

  5. Alphorn - Wikipedia

    en.wikipedia.org/wiki/Alphorn

    The alphorn (German: Alphorn, Alpenhorn; French: cor des Alpes; Italian: corno alpino) is a traditional lip-reed wind instrument originating from the European Alps. It consists of a very long straight wooden natural horn, with a length of 3 to 4 metres (9.8 to 13 feet), a conical bore and a wooden cup-shaped mouthpiece.

  6. UnoAErre - Wikipedia

    en.wikipedia.org/wiki/UnoAErre

    The company was founded on March 15, 1926 by Leopoldo Gori and Carlo Zucchi, in the city of Arezzo, with the idea to apply industrial methodologies to goldsmithing, aiming to minimize the costs of metal work.

  7. Cellini Salt Cellar - Wikipedia

    en.wikipedia.org/wiki/Cellini_Salt_Cellar

    The Saliera. The Cellini Salt Cellar (in Vienna called the Saliera, Italian for salt cellar) is a part-enamelled gold table sculpture by Benvenuto Cellini (c.1500-1571). It was completed in 1543 for Francis I of France (r.1515-1547), from silver plate models that had been prepared many years earlier for Cardinal Ippolito d'Este (c.1479-1520).

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