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All Men Are Liars (song) All She Wrote (FireHouse song) All The King's Friends; All This Time (Sting song) All Together Now (The Farm song) All Women Are Bad; All You Really Wanna Do; Alles wird gut; Allison (Pixies song) Almost Hear You Sigh; Alone in Love (song) Altair 4 (song) Always and Ever (song) Always Find the Time (Kylie Minogue song)
Juguemos a Cantar (Let's play singing), was a children's competition festival that was held yearly in Mexico City beginning in 1982. Televisa produced this show, and it was transmitted on the program, Siempre En Domingo, which was hosted by Raúl Velasco.
B. Babe (Take That song) Baby I'm Ready; Back for Good (song) Back to the World (song) Bad Girl (Madonna song) ¡Basta Ya! (song) Be Tender with Me Baby
The accompanying music video was directed by Alberto Tolot and features the artist reminiscing an old love. "Con Los Años Que Me Quedan" was nominated in the category of Pop Song of the Year at the 1994 Lo Nuestro Awards and was acknowledged as an award-winning song at the 1995 BMI Latin Awards .
Members Yu Chiu-Hsin and Yen Chih-Lin also enjoyed success as singers of numerous television opening (and occasionally ending) themes throughout 1998 and 1999; they won the Best Theme Song award at the 1999 Star Awards for their song "I can endure the hardship", opening theme song to the award-winning drama series Stepping Out.
31 minutos (English: 31 minutes) is a Chilean comedy television series and a children's music virtual band created by the production company Aplaplac (owned by Álvaro Díaz, Pedro Peirano and Juan Manuel Egaña) that was first broadcast March 15, 2003 on Televisión Nacional de Chile (TVN).
The song captured the attention of FIFA, who requested Martin to record the theme for the 1998 World Cup. This led to the single "La Copa de la Vida". [7] Ricky Martin's performance of the song at the 41st Annual Grammy Awards on February 24, 1999, was said to be a "game-changer for Latin music worldwide" according to Billboard ' s Leila Cobo. [8]
"Porque te vas" is a romantic ballad [17] that incorporates elements of funk, disco and pop music, featuring a predominant use of the saxophone. [18] Critic Julián Molero of Lafonoteca described the track's instrumentation as "full of self-confidence with almost mocking interventions of the brasses and the crash of the drums releasing unexpected blows". [19]