Search results
Results From The WOW.Com Content Network
A handscroll has a backing of protective and decorative silk (包首) usually bearing a small title label (題簽) on it. [6]In Chinese art, the handscroll usually consists of a frontispiece (引首) at the beginning (right side), the artwork (畫心) itself in the middle, and a colophon section (拖尾) at the end for various inscriptions.
Scroll painting usually refers to a painting on a scroll in Asian traditions, distinguishing between: Handscroll, such a painting in horizontal format;
Prosperous Suzhou (simplified Chinese: 姑苏 繁华 图; traditional Chinese: 姑蘇 繁華 圖; pinyin: Gūsū Fánhuá Tú), originally entitled Burgeoning Life in a Resplendent Age (simplified Chinese: 盛世 滋生 图; traditional Chinese: 盛世 滋生 圖; pinyin: Shèngshì Zīshēng Tú), is an 18th-century scroll painting created in 1759 by the Chinese court painter Xu Yang.
Early Spring is a hanging scroll painting by Guo Xi. Completed in 1072, it is one of the most famous works of Chinese art from the Song dynasty. The work demonstrates his innovative techniques for producing multiple perspectives which he called "the angle of totality." The painting is a type of scroll painting which is called a Shan shui.
The term emakimono or e-makimono, often abbreviated as emaki, is made up of the kanji e (絵, "painting"), maki (巻, "scroll" or "book") and mono (物, "thing"). [1] The term refers to long scrolls of painted paper or silk, which range in length from under a metre to several metres long; some are reported as measuring up to 12 metres (40 ft) in length. [2]
The scroll in art is an element of ornament and graphic design featuring spirals and rolling incomplete circle motifs, some of which resemble the edge-on view of a book or document in scroll form, though many types are plant-scrolls, which loosely represent plant forms such as vines, with leaves or flowers attached.
The Heiji Monogatari Emaki (平治物語絵巻, "The Tale of Heiji Emaki", or sometimes "The Tale of Heiji Ekotoba"; also translated as the "Heiji Rebellion Scrolls") is an emakimono or emaki (painted narrative handscroll) from the second half of the 13th century, in the Kamakura period of Japanese history (1185–1333).
Artists may choose to "correct" perspective distortions, for example by drawing all spheres as perfect circles, or by drawing figures as if centered on the direction of view. In practice, unless the viewer observes the image from an extreme angle, like standing far to the side of a painting, the perspective normally looks more or less correct.