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Aaron Douglas (May 26, 1899 – February 2, 1979 [1]) was an American painter, illustrator, and visual arts educator. He was a major figure in the Harlem Renaissance. [2] He developed his art career painting murals and creating illustrations that addressed social issues around race and segregation in the United States by utilizing African-centric imagery. [3]
A Quarterly Devoted to the Younger Negro Artists was an African American literary magazine published in New York City in 1926 during the Harlem Renaissance. The publication was started by Wallace Thurman , Zora Neale Hurston , Aaron Douglas , John P. Davis , Richard Bruce Nugent , Gwendolyn Bennett , Lewis Grandison Alexander , Countee Cullen ...
The Harlem Renaissance, also known as the New Negro Movement, was a cultural, ... Aaron Douglas [1] Edwin A. Harleston [2] Palmer Hayden [2] Sargent Johnson [1]
Harlem Week always has been a living tribute to Harlem’s history of greats, such as W.E.B. Du Bois, Langston Hughes, Augusta Savage and Aaron Douglas. It recognizes the Harlem Renaissance and ...
The post The Met’s ‘The Harlem Renaissance and Transatlantic Modernism’ honors America’s Black mecca appeared first on TheGrio. ... Alain Locke and Aaron Douglas), “Nightlife,” “The ...
The Harlem Renaissance encouraged analytic dialogue that included the open critique and the adjustment of current religious ideas. One of the major contributors to the discussion of African-American renaissance culture was Aaron Douglas, who, with his artwork, also reflected the revisions African Americans were making to the Christian dogma ...
Locke's influence on the Harlem Renaissance encouraged artists and writers like Zora Neale Hurston to seek inspiration from Africa. [1] Artists Aaron Douglas, William H. Johnson, Archibald Motley, and Horace Pippin created artwork representing the "New Negro Movement" influenced by Locke's anthology. [29]
Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed-race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.