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The depth of field (DOF) is the ... The term "camera movements" refers to swivel (swing and tilt, in modern terminology) and shift adjustments of the lens holder and ...
The phrase depth of focus is sometimes erroneously used to refer to depth of field (DOF), which is the distance from the lens in acceptable focus, whereas the true meaning of depth of focus refers to the zone behind the lens wherein the film plane or sensor is placed to produce an in-focus image. Depth of field depends on the focus distance ...
Because depth of field is a characteristic of lens focal length (in addition to aperture and focus distance setting), it is easier to achieve a deep-focus look with a smaller imaging sensor or film gauge. For example, a 40mm lens will give a 30-degree horizontal angle of view in the Super35 format.
The hyperfocal distance has a property called "consecutive depths of field", where a lens focused at an object whose distance from the lens is at the hyperfocal distance H will hold a depth of field from H/2 to infinity, if the lens is focused to H/2, the depth of field will be from H/3 to H; if the lens is then focused to H/3, the depth of ...
Depth of field when the PoF is rotated When the lens and image planes are parallel, the depth of field (DoF) extends between parallel planes on either side of the plane of focus. When the Scheimpflug principle is employed, the DoF becomes wedge shaped (Merklinger 1996, 32; Tillmanns 1997, 71), [ f ] with the apex of the wedge at the PoF ...
If every part of the image is within the depth of field, it is fairly easy to simulate the effect of shallow depth of field that could be achieved by using tilt or swing; [27] however, if the image has a finite depth of field, post-production cannot simulate the sharpness that could be achieved by using tilt or swing to maximize the region of ...
The range of distances that are nearly in focus is called the depth of field. Depth of field generally increases with decreasing aperture diameter (increasing f-number). The unfocused blur outside the depth of field is sometimes used for artistic effect in photography. The subjective appearance of this blur is known as bokeh.
The presence of these two opposing factors implies a point at which the combined blur spot is minimized (Gibson 1975, 64); at that point, the f-number is optimal for image sharpness, for this given depth of field [22] – a wider aperture (lower f-number) causes more defocus, while a narrower aperture (higher f-number) causes more diffraction.