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Don Juan (Spanish: [doŋ ˈxwan]), also known as Don Giovanni , is a legendary, fictional Spanish libertine who devotes his life to seducing women. The original version of the story of Don Juan appears in the 1630 play El burlador de Sevilla y convidado de piedra (The Trickster of Seville and the Stone Guest) by Tirso de Molina.
Frontispiece illustration of a bust of Lord Byron in the 1824 edition of Don Juan. (Benbow publisher) Byron was a prolific writer, for whom "the composition of his great poem, Don Juan, was coextensive with a major part of his poetical life"; he wrote the first canto while resident in Italy in 1818, and the 17th canto in early 1823. [3]
Don Juan draws his own sword and kills Don Gonzalo. With his final breath, Don Gonzalo swears to haunt Don Juan. Don Juan leaves the house just in time to find Mota and give him his cape back and flees. Mota is immediately seen wearing the same cloak as the man who murdered Don Gonzalo and is arrested.
Dom Juan ou le Festin de Pierre ("Don Juan or The Feast of Stone") is a five-act 1665 comedy by Molière based upon the Spanish legend of Don Juan Tenorio. [1] The aristocrat Dom Juan is a rake who seduces, marries, and abandons Elvira, discarded as just another romantic conquest. Later, he invites to dinner the statue of a man whom he recently ...
The second, A Structural Analysis, is an attempt, Castaneda says, at "disclos[ing] the internal cohesion and the cogency of don Juan’s Teachings." [3] The 30th-anniversary edition, published by the University of California Press in 1998, contains commentary by Castaneda not present in the original edition.
Oruj bey Bayat (Persian: اروج بیگ بیات, romanized: Orūj beg Bayāt; also spelled Uruch or Oruch in English), later known by his baptized name of Don Juan de Persia (c. 1560/1567 –c. 1616) or simply Don Juan was a late 16th and early 17th century Iranian figure in Iran and Spain. He is also known as Faisal Nazary. [dubious – discuss]
Don Juan is a 1926 synchronized sound American romantic adventure film directed by Alan Crosland. It is the first feature-length film to utilize the Vitaphone sound-on-disc sound system with a synchronized musical score and sound effects, though it has no spoken dialogue. [ 4 ]
Don Juan Tenorio: Drama religioso-fantástico en dos partes (Don Juan Tenorio: Religious-Fantasy Drama in Two Parts) is a play written in 1844 by José Zorrilla. It is the more romantic of the two principal Spanish-language literary interpretations of the legend of Don Juan .