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"Basin Street Blues" is a song often performed by Dixieland jazz bands, written by Spencer Williams in 1928 and recorded that year by Louis Armstrong. [1] The verse with the lyric "Won't you come along with me / To the Mississippi..." was later added by Glenn Miller and Jack Teagarden. The Basin Street of the title refers to the main street of ...
The first jazz artist to be given some liberty in choosing his material was Louis Armstrong, whose band helped popularize many of the early standards in the 1920s and 1930s. [ 5 ] Some compositions written by jazz artists have endured as standards, including Fats Waller 's " Honeysuckle Rose " and " Ain't Misbehavin' ".
Ragtime songs "Twelfth Street Rag" and "Tiger Rag" have become popular numbers for jazz artists, as have blues tunes "St. Louis Blues" and "St. James Infirmary". Tin Pan Alley songwriters contributed several songs to the jazz standard repertoire, including "Indiana" and "After You've Gone".
In October 1924, Louis Armstrong joined Fletcher Henderson's band in New York City upon his wife's insistence. They began performing at the Roseland Ballroom on 51st street and Broadway in Manhattan. [22] His new style of jazz playing greatly influenced the style of other New York musicians such as Coleman Hawkins and Duke Ellington. [23]
The Louis Armstrong Hot Five and Hot Seven Sessions were recorded between 1925 and 1928 by Louis Armstrong with his Hot Five and Hot Seven groups. According to the National Recording Registry , [ 1 ] "Louis Armstrong was jazz's first great soloist and is among American music's most important and influential figures.
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music.
This was the beginning of jazz as an international art form, although the name jazz was still a couple years in the future, the band performing as a ragtime band at the time. [ 6 ] [ 7 ] Keppard, who signed one photograph of himself with a caption describing himself as the "star cornetist" of the "Creole Ragtime Band," probably considered ...
Louis Armstrong and his Hot Seven was a jazz studio group organized to make a series of recordings for Okeh Records in Chicago, Illinois, in May 1927. [1] Some of the personnel also recorded with Louis Armstrong and His Hot Five , including Johnny Dodds (clarinet), Lil Armstrong (piano), and Johnny St. Cyr (banjo and guitar).